Tagged with "Fresh"
Classic Hip Hop Legend - Doug E. Fresh
Category: Classic Hip Hop
Tags: Doug e fresh classic hip hop legend word life production new quality entertainment featured

Douglas E. Davis better known by the stage name Doug E. Fresh, is an American rapper, record producer, and beat boxer, also known as the Human Beat Box. The pioneer of 20th-century American beat boxing, Fresh is able to accurately imitate drum machines and various special effects using only his mouth, lips, gums, throat, tongue and a microphone.

Although he began his recording career as a solo artist as one of the last artists on Enjoy Records and one of the first on Vintertainment Records (the same New York-based label owned by Vincent Davis that would later make a name of Hip-Hop artist Joeski Love and bring R&B icon Keith Sweat to ultimate fame), it was when he and a new team of DJs known as the Get Fresh Crew (Barry Bee and Chill Will) along with a newcomer named MC Ricky D (who would later achieve fame as Slick Rick) came to fledgling New Jersey-based Hip-Hop label Danya/Reality Records the following year and recorded "The Show" (which borrowed the melody of the Inspector Gadget theme by Shuki Levy), and "La Di Da Di", a tune that was completely voiced by MC Ricky D and backed by Doug E's beat boxing for the entire duration of the song. It was when both of these songs were released on a single (particularly 12" single) that broke him (and Slick Rick) into stardom. Both "The Show" and "La-Di-Da-Di" are considered two of the all-time greatest early hip hop classics and, as such, make up one of the first and only Hip-Hop singles to have two hit songs on the same record.

"The Show" peaked at #7 in the UK Singles Chart in December 1985.

Unfortunately, Slick Rick would leave the group almost a year after the single was released leaving many wondering what happened to him until 1988 when he became a Def Jam artist and released his debut album, The Great Adventures of Slick Rick. Doug E. Fresh and the Get Fresh Crew soldiered on, now officially signed to Danya/Reality/Fantasy and releasing two albums from that period -- Oh, My God! from 1986 (which includes the hit song "All The Way To Heaven") and The World's Greatest Entertainer from 1988—both of which are now long out of print and extremely rare. The main single from the album The World's Greatest Entertainer was "Keep Risin' To The Top" which was named after Keni Burke's then-obscure 1981 hit "Rising To The Top", which, thanks to being sampled in Doug E. Fresh's song, has become Keni's signature tune. Doug E.'s "Keep Risin' To The Top" also samples the main chorus phrase of Heatwave's 1976 classic "Ain't No Half Steppin'," which Big Daddy Kane also sampled that same year for his song of the same name.

In 1992, after a four-year hiatus, Doug E. Fresh joined with MC Hammer's label, Bust It Records and issued one album, Doin' What I Gotta Do, which (despite some minor acclaim for his single "Bustin' Out (On Funk)" which sampled the Rick James 1979 single "Bustin' Out") was a commercial failure.

In 1993, Doug E. Fresh found a new home at Island Records-affiliated label Gee Street. At the time, he managed only to release one single that contained three songs—"I-ight (Alright)," which was the main song; "Bounce"; and "Freaks". Although "I-ight" (which originated the now-famous club chant "Heyyyyyy, YO!... I-iiiiight?") was slated to become the first major hit for Doug in 5 years, it was almost immediately overshadowed by "Freaks", a Dancehall tune beat-boxed entirely by Doug E. and vocalized mainly by his protégé, a Brooklyn-born Jamaican teenage newcomer named Vicious. The song received major radio and club play, followed by video play when the video was finally produced a few months into 1994. The latter would soon ink a deal with Sony Music's Epic Records for three years, although he would only release one album, Destination Brooklyn.

In 1995, Slick Rick and Fresh reunited for a track on an album titled Play, which found Fresh back on his feet. The album received positive reviews; Bret Love wrote, "A welcome flashback to the days when guns, drugs, sex, and violence were not the genre's primary lyrical focus." Off the Play album also was a track title "Freak It Out" which featured Uncle Luke produced by platinum producer Frankie Cutlass and was also on the Don't Be a Menace to South Central While Drinking Your Juice in the Hood soundtrack, and was certified a Gold Album by RIAA.

On May 23, 2007, Fresh performed variations upon "The Show" with finalist Blake Lewis on the season-six finale of American Idol, the first ever hip-hop performance on the show.

2010 saw Fresh make a small comeback in popular culture as rap group Cali Swag District brought back some of his trademark dance moves with their song "Teach Me How to Dougie." Members of Cali Swag District saw Texas college students doing a local dance created in Dallas called the D-Town Boogie. They recognized it as a modified version of Fresh's dance moves and decided to create a song that would feature the dance, but also give Fresh his due credit.

On June 27, 2010, Fresh came out and performed with Cali Swag District while they were performing their song Teach Me How to Dougie at the BET Awards Pre-show.

Fresh performing in Williamsburg, Brooklyn on August 29, 2010.

On Nov. 8, 2010 Doug E. Fresh appeared at the Soul Train Awards where he taught CNN anchor Wolf Blitzer how to Dougie on stage as part of the show.

On Dec. 10, 2010 Fresh appeared on ESPN First Take to speak about the phenomenon of the Dougie as a sports celebration. As part of the show he, Lomas Brown, and Skip Bayless voted on the best sports related Dougie's. The Dougie performed by Bayless himself on ESPN First Take was voted by Fresh as the best, although he rated Wolf Blitzer's Dougie at the Soul Train Awards the best but it had no sports association.

On July 9, 2012 Fresh served as a celebrity judge on the Apollo Live TV show.

On May 25, 2013 Fresh debuted the classic hip-hip and r&b show called "The Show" on 107.5 WBLS 9-11PM Saturday nights.

Source: Wikipedia

FRESH NEW HIP HOP TALENT DOING BIG THINGS Tags: impirio hip hop fresh talent word life production feature artist

 Hip-Hop artist Impirio brings a refreshing sound to today's current rotation. With many songs featured on various television shows, the smooth sounding emcee reached back to his roots to bring that reminder.  First emerging on the local scene in 2008, Impirio has gained recognition from his rhythmic verses while being laced with choruses by Crushon.

Impirio had songs featured on hit shows "The Kardashians," "Bad Girls Club," "The Jersey Shore," and "Gossip Girls," as well as reaching at #48 on the iTunes for most digital downloads in the Hip-Hop/R&B category.

The creative artist aims to take audiences back to the feeling of how Hip-Hop music should make you feel. By reaching back to his Illinois roots, Impirio reflects many memories of his journey from the beginning to his current status.

“Music always helped me to ignore the pain and struggles I was going through. It was more like my big brother and teacher, and still is.”

-Impirio

Legendary Corner/Slick Rick & Doug E. Fresh Tags: slick rick doug E Fresh legendary corner word life production hip hop will never

Although Slick Rick and Doug E. Fresh may be known as solo artists today, the two rappers solidified their status as hip-hop icons when they joined forces in the mid-1980s. To this day, the former has one of rap's most unique lyrical deliveries and inimitable sartorial styles. (He still wears truck jewelry and an eye-patch when he performs.) The latter still is a master beatboxer and is considered the genre's ultimate crowd pleaser.

As members of the Get Fresh Crew along with two DJs Chill Will and Barry B, London-born Rick Walters (then known as MC Ricky D) and Barbados native Douglas Davis (aka Doug E. Fresh) linked up to record two of rap's most enduring party anthems.

The first song, "La Di, Da Di," gained popularity when Doug, the self-proclaimed 'The Original Human Beatbox,' enlisted Ricky to add his story rhymes over his uncanny ability to vocally mimic drum machines beats and other sound effects into a microphone. The partners performed the track - on which Rick tells a detailed comical tale about getting propositioned by an unlikely cougar - at live shows, creating a huge buzz even before they wound up recording it in 1985.

Another single, 'The Show,' which sampled the 'Inspector Gadget' theme song, became an even bigger hit, reaching number four on the R&B charts that year. The two songs immediately made Ricky D a fan favorite. He admitted to 'Insomniac' magazine that the attention he got from those records tested their relationship.

"It might of put a little bit of a strain on the relationship, because I was a guest on his ship," Rick said. "I had received such major attention and then the problem of the money, as far as it's your ship why should I get more than you. I think is was best that I branched off in my own way to avoid any conflict."

As a result, Ricky D embarked on a solo career, changing his stage name to Slick Rick and signing to the Russell Simmons-led Def Jam Records. But it took another three years before the rapper would release his debut album, 'The Great Adventures of Slick Rick.'

The album proved to be worth the wait as it was jam-packed with great narratives and some devilishly salacious rhymes all in his unique quasi-British accent. Tracks like 'Children's Story,' 'Hey Young World,' 'Mona Lisa,' and 'Teenage Love' were proof that Rick wasn't just into gratuitous sextalk, but had emerged as hip-hop's best storyteller with songs that detailed realistic urban struggles, promoted dreaming big and touched on the joys and pains of relationships.

That same year, Doug E. Fresh, released his second album, 'The World's Greatest Entertainer,' but was overshadowed by Slick Rick's debut. (Doug's first LP, 1987's 'Oh, My God!,' featured most of his showpieces, like 'Play This Only at Night' and 'All the Way to Heaven.') The sophomore featured hits such as 'Rising to the Top' and 'Cut That Zero', two songs that helped cement his playboy persona. But after that album, Doug's career began to stall. He had moderate hits in the '90s including call-and-response party-starter, 'I-ight (Alright)' and 'Freaks,' on which he mostly beatboxes while pint-sized dancehall phenom Lil Vicious rhymes in a melodic Jamaican patois.

Rick's career took a hit too when he served jail time for his involvement in a shooting, and subsequently faced deportation charges. Despite his legal troubles, he released two hastily crafted albums - 'The Ruler's Back' (1991) and 'Behind Bars' (1994). But it wasn't until 1999, when his comeback album 'The Art of Storytelling' really saw Rick fulfill his early potential.

These days, both Doug and Rick are regarded as two of hip-hop's best ever entertainers and regularly perform their hits separately and together on spot tour dates. Doug has even inspired a dance craze and song 'Teach Me How to Dougie' by the Los Angeles rap crew, Cali Swag District.

Influenced...Snoop Dogg, MC Hammer, Nas, Jay-Z, Notorious B.I.G., Outkast, Mos Def, Cali Swag District, Ludacris, Raekwon, Chamillionaire, MF DOOM, Eminem, etc.

 

http://blogs.blackvoices.com/2011/06/13/slick-rick-and-doug-e-fresh/ 
 

 

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