Tagged with "def"
Ultimate Rock Classic - Def Leppard Tags: ultimate rock classic def leppard word life production new quality entertainment featured blog
Andrew MacPherson

In the beginning a chart-breaking debut album, tours with more established heavy-metal bands, and pinup good looks made Def Leppard one of the leaders of the '80s British heavy-metal renaissance. The members, barely out of their teens when their first album debuted, soon became one of the most consistently successful pop-metal groups of the decade and beyond, becoming, as one Goldmine article put it, "The Heavy Metal Band You Can Bring Home to Mother."

Pete Willis and Rick Savage started the group in Sheffield in 1977. Joe Elliott had coined the name Deaf Leopard before joining them; Willis and Savage changed the spelling. As a quartet with a since-forgotten drummer, Def Leppard built a local pub following, and in 1978, after being joined by Steve Clark and hiring a temporary drummer, the group produced its first record, an EP called Getcha Rocks Off, released on its own Bludgeon Riffola label. The record got airplay on the BBC and sold 24,000 copies.

The members' self-made success and precociousness (Elliott, the group's eldest member, was 19, and Rick Allen, who became their permanent drummer after playing with several professional Sheffield bands, was 15) brought them the attention of the British rock press. AC/DC manager Peter Mensch added them to his roster and got them a contract with Mercury. Their first album was a hit in the U.K. and reached #51 in the U.S. The group toured Britain with Sammy Hagar and AC/DC, played the 1980 Reading Festival, and first toured the U.S. opening for Ted Nugent, Pat Travers, Judas Priest, and AC/DC. A second U.S. tour, with Blackfoot, Ozzy Osbourne, and Rainbow, coupled with heavy coverage in the U.S. metal press, created a growing American audience.

The group's second album, High 'n' Dry was the first of a string of platinum and multiplatinum LPs, hitting #38 in 1981 and selling over 2 million copies. (It was remixed and rereleased in 1984 with two more tracks, a remixed "Bringin' on the Heartbreak" and "Me and My Wine.") By early 1982 the group had reentered the studio to record Pyromania, which would eventually sell a phenomenal 10 million copies. Midway through the recording, founding guitarist Pete Willis was fired for alcoholism and replaced by Phil Collen, formerly of Girl. At the same time co-lead guitarist Steve Clark was beginning a slide into the extreme alcohol addiction that would eventually kill him.

Shortly after Pyromania's release, the band embarked on its first world tour. MTV, undeniably a factor in the band's U.S. success, began airing "Bringin' on the Heartbreak," and within the next few years virtually all the band's videos (beginning with Pyromania's "Rock of Ages," "Photograph," and "Foolin'") would go into heavy rotation. When producer Mutt Lange, with whom the group had recorded since its major-label debut, was unavailable to work on their next album, Def Leppard turned to Jim Steinman, most famous for his work with Meat Loaf. When Steinman proved incompatible, High 'n' Dry engineer Nigel Green stepped in. Just one month later, drummer Rick Allen lost his left arm in a New Year's Eve car accident after he attempted to pass another driver at high speed. Surgeons reattached the limb, but after infection set in, it was amputated. Def Leppard's future was in doubt, but by the spring of 1985 Allen was learning to play drums again with the help of a specially adapted Simmons kit. (For a while he performed with special electronic equipment, using prerecorded tapes of his drumming for some parts, then returned to a regular acoustic kit with customized foot pads in 1995.) The band continued recording, but when Lange heard the tapes, he suggested the band scrap them and start again. In August 1986 Allen performed for the first time since his accident on the European Monsters of Rock Tour.

In early 1987 the band finally completed work on the long-awaited Hysteria, which spun off six Top 20 singles: "Animal" (#19, 1987; and their first Top 40 hit in the U.K.), "Hysteria" (#10, 1988), "Pour Some Sugar on Me" (#2, 1988), "Love Bites" (#1, 1988), "Armageddon It" (#3, 1988), and "Rocket" (#12, 1989). Though longtime fans and some critics found it disappointingly poppish, on the verge of bubblegum, that change in direction no doubt contributed to it selling over 16 million copies worldwide and topping the U.S. LPs chart for six weeks.

Tragedy struck the group again when on January 8, 1991, guitarist Steve Clark died of a fatal mixture of drugs and alcohol. Beginning in 1982, he had undergone treatment for his alcoholism several times. His addiction was so disabling that Phil Collen had done most of the leads on Hysteria, and later the group forced Clark to take a lengthy sabbatical. Once in 1989, after being found comatose in a gutter, he was admitted to a psychiatric hospital, but he seemed beyond help. The group continued recording and even made the video for "Let's Get Rocked" as a foursome.

Clark's replacement, Vivian Campbell, who had previously played with Ronnie James Dio and Whitesnake, joined in 1992, weeks after the release of Adrenalize. Another #1 LP, Adrenalize spawned a flurry of hit singles: "Have You Ever Needed Someone So Bad" (#12, 1992), "Let's Get Rocked" (#15, 1992), "Make Love Like a Man" (#36, 1992), and "Stand Up (Kick Love Into Motion)" (#34, 1992). Retro Active (#9, 1993), a platinum collection of B sides, rarities, and covers, yielded the hit singles "Two Steps Behind" (#32, 1994) (also on the Last Action Hero soundtrack) and "Miss You in a Heartbeat" (#39, 1994). The album also included one Mick Ronson song, "Only After Dark." As the band wanted to explore new directions on its next studio album, it decided to release a greatest-hits collection before embarking on the next stage of its career; Vault (#15, 1995) went on to sell close to 2 million copies. Unfortunately its successor, Slang, which added industrial and even touches of soul to the musical mix, did not fare as well and peaked at #14. The band retreated to its classic '80s pop-metal style on Euphoria (#11, 1999).

Portions of this biography appeared in The Rolling Stone Encyclopedia of Rock & Roll (Simon & Schuster, 2001).

Classic hip hop artist and actor - Mos Def
Category: The Golden Era
Tags: classic hip hop artist mos def word life production new quality entertainment

Born December 11, 1973 in Brooklyn, this acclaimed rapper and actor is known for his socially conscious hip-hop music as well as for his performances in Monster's Ball, The Italian Job and The Hitchhiker's Guide to the Galaxy.

Mos Def was born Dante Smith on December 11, 1973 in Brooklyn, New York. The eldest of 12 children and stepchildren, Mos Def and several of his siblings grew up with his mother in the Brooklyn projects, while several of his other siblings grew up with their father in New Jersey. Coming of age at the height of New York City's crack epidemic in the 1980s, a young Mos Def found himself surrounded by violence, addiction and crime. Reflecting on his childhood home, the rapper later said, "I believe the projects were a social experiment; we were laboratory rats stacked on top of each other, and people just knew, inherently, that there was something wrong."

Yet even as a child, Mos Def was determined to overcome the circumstances of his upbringing: "I remember being seven years old and looking out that window, thinking, 'I'm gonna make some money.' Because we were good people." Surrounded by hopelessness, it was easy to feel that escape from the projects could only be won through superhuman effort. As Mos Def would later rap in his autobiographical song, "Life in Marvelous Times": "Basic survival requires super heroics/ No space in the budget for a cape."

Despite the dangers surrounding him, a young Mos Def managed to steer clear of violence and drugs, pursuing a different path to prosperity through his early passion for the arts. In 1982, at the age of nine, he simultaneously developed an appreciation for theater and hip-hop. "That was the first year I wrote a rhyme," he later recalled, "and it was also the year that I first saw Wild Style—in the theater, in the Bronx, with my mom. The place was packed. I lived for a summer in the Bronx, and you can't really describe that time and the energy and have it mean all that it did. It falls short. New York was another type of place, and hip-hop was local, community music, public-access channel. It was a culture that came up in a city on the decline." Not long after, in fifth grade, Mos Def appeared in his first play, a school production of "Free to Be…You and Me." He then enrolled in a performing arts magnet school, Philippa Schuyler Middle School, which he later described as "an oasis" of bright, talented kids in the center of the ghetto. Mos Def continued on to Talent Unlimited High School, another performing-arts magnet, landing his first professional acting role (in the TV movie God Bless the Child) during his freshman year. As a high school senior, he won a recurring role in the TV series You Take the Kids, leaving school to film the show in Los Angeles. Upon returning to New York a year later, he landed his most prominent role to date in The Cosby Mysteries (1994–1995). Even while filming alongside Bill Cosby by day, Mos Def immersed himself in the blossoming New York hip-hop scene at night.

It was at this time that he first assumed the stage name "Mos Def," short for "most definitely," and formed a rap group called Urban Thermo Dynamics alongside one of his brothers, D.c.Q., and the female rapper Ces. They performed in small venues and underground showcases while attempting to break through to larger audiences.

In 1996, with appearances on singles by popular rappers De La Soul and Da Bush Babees,

Mos Def really began carving out a name for himself among the hip-hop faithful. A year later, he released a solo single, "Universal Magnetic," that became an underground hit and landed him a record deal with Rawkus Records. Soon after, Mos Def teamed up with fellow Brooklyn rapper Talib Kweli to form the soon-to-be-legendary rap duo Black Star; the duo's 1998 debut album, Mos Def & Talib Kweli Are Black Star, was one of the most inventive and critically acclaimed rap albums of the year. One year later, Mos Def released his highly anticipated debut solo album, Black on Both Sides, featuring the hit singles "Ms. Fat Booty" and "Mathematics," which made him a star and established his reputation as one of the most intelligent and socially conscious rappers of his era.

Despite the enormous success of Black on Both Sides, after its 1999 release Mos Def shifted his focus from rapping back to acting. Throughout the early 2000s, he appeared in films such as Bamboozled (2000), Carmen: A Hip Hopera (2001), Monster's Ball (2001), Showtime (2002) and The Italian Job (2003). In 2004, Mos Def portrayed pioneering heart surgeon Vivien Thomas in the HBO miniseries Something the Lord Made, a role that earned him both Emmy and Golden Globe Award nominations for Best Actor. He also appeared onstage in the 2002 Broadway debut of the Pulitzer Prize–winning play Topdog/Underdog.

In 2004, Mos Def returned to the recording studio to record his second solo album, The New Danger, a commercial and critical success that featured the Grammy-nominated single "Sex, Love, and Money." Two years later, in 2006, he released a less successful third album, True Magic. However, his fourth and most recent album, 2009's The Ecstatic, won widespread acclaim, with songs such as "Life in Marvelous Times" and "History" combining poetic and socially acute lyrics with catchy beats and top-notch production. The Ecstatic was nominated for Best Rap Album at the 2010 Grammy Awards.

In addition to his work as an actor and rapper, from 2002 through 2007, Mos Def served as the host of the televised spoken-word program Russell Simmons Presents Def Poetry.

Mos Def married Maria Yepes in 1996, and the couple had two daughters before parting ways a decade later, in 2006. Shortly after separating from Yepes, Mos Def married Alana Wyatt, but they later separated after only two years of marriage.

Since his emergence on the national stage in the late 1990s, Mos Def has locked down a reputation as of the most revered rappers of his generation as well as a highly respected actor. His intelligence, verbal skill and keen eye for social observation have made him a spokesman of the hip-hop generation who appeals to people from all walks of life.

"My work is a reflection of the human condition," Mos Def says. "I don't want to hurt anybody. I don't want to mislead people. I want to tell the truth. All my songs are not happy. Some of them are even aggressive—some may say mean, but we all experience these feelings in life. I'm just being honest about what I feel and what sounds and ideas were motivating me at the time."

© 2014 A+E Networks. All rights reserved.

BEAUTIFUL SPOKEN WORD ARTIST-GEORGIA ME Tags: georgia me spoken word artist def jam poet word life production feature artist

You know it’s Tamika Harper by the sound of her shoes.

Coming down the stairs of her mother’s home on Westmoor Drive on Atlanta’s west side, they make a big noise. Compared with the black leather Roman sandal-stilettos that laced halfway up her legs when she made her Broadway debut last year, these tan strap pumps are elfin. But they’ve still got drama.

So when Harper, who uses the stage name Georgia Me, finally appears in the room, she fills it as certainly as the overstuffed floral chairs and the bookcase of family photographs behind her. Her lips glisten. Her dress is paisley. Her hair spills onto her shoulders in Rapunzel-like corkscrews.

“My look sells me more than anything else in the world,” says the 27-year-old star of “Russell Simmons Def Poetry Jam,” which arrives at the Fox Theatre on Thursday, “because people think: ‘How dare this big black girl think she’s beautiful!?’ And then on top of that, I am!”

After years of self-doubt, Harper, who stands 5-feet-10 and weighs more than 200 pounds, seems to have come to terms with her size. In poems like “Full Figure Potential: A fat girls blues” and “Nig-gods,” both of which are showcased in the Tony Award-winning “Def Poetry Jam,” the Booker T. Washington High School graduate and self-described “ghetto belle from the ’hood” sings a song of herself - with no apologies.

“GA Me,” or Georgia Me, is an acronym for her life’s credo: “God’s apostle, moving everyone.”

Since her conversion to poetry in 1998, the Bankhead Highway gadabout has played the Aspen Comedy Festival, toured Europe with “Def Poetry Jam” and performed on the 2003 Tony Awards program. She has done readings with Danny Glover, Phylicia Rashad and Jeffrey Wright and, while in Scotland with “Def Poetry,” was invited to appear in “The Vagina Monologues.” Her work has just been published in “Russell Simmons Def Poetry Jam on Broadway” (Atria, $20), a book of poems and interviews.

She was more recently featured in The New Word Order Word Warriors Tour
June 21st through August 6th 2008.

September catch The Queen of Spoken Word in an additional 30 performances nationwide with Treasures Entertainment. Dubbed The Largest Spoken Word tour in America. Produced by Prysmatic Dreams and costaring
Max Parthas & Tribal Raine. Collectivelly recognized as Maximmum Impact

Next Harper wants to pursue a career in TV, film and writing - and dreams of running for political office. “I’m like Arnold Schwarzenegger,” she says. “Only I can speak English.”

A major force in Atlanta’s vibrant spoken-word scene, making appearing at places like Club 112. In 2001, this fan of Nikki Giovanni and Goodie Mob was named Poetry Slam Champion of Atlanta.

After appearing three times on “Russell Simmons Presents Def Poetry,” HBO’s Peabody Award-winning spoken-word series, Harper joined the 10-member company that took the show to Broadway. The event got rave reviews and signaled that this urban-incubated, hip-hop-influenced poetry style was finally gaining acceptance as a legitimate art form. A visceral combination of the personal and the political, of the anger of alienation and the urgent rush of empowerment, “Def Poetry Jam on Broadway” meant that the world was finally listening to folks like Georgia Me.

“I gave my all, and poetry gave me what it could give,” she says. “It’s my weapon and it’s my wealth.”

“I don’t do a poetry project without calling her first,” says producer Stan Lathan, who partners with Simmons on the HBO and Broadway shows. “There are two or three poets that are the go-to poets, and she’s absolutely one of them,” says Lathan, a prominent TV director whose credits include the pilots for “Martin” and “Moesha.” “I can’t imagine a ‘Def Poetry’ show without Tamika. She kind of defines what ‘Def Poetry’ is all about.”

In 2000, when Lathan began putting together “Def Poetry” for HBO, he solicited a video of Atlanta poets. One of them was Harper.

“Tamika was a lock the minute her tape started to play,” Lathan recalls. “It was like a revelation, seeing this woman and seeing not only her command of the language and her ability to express feelings, but just her presence and her stature.”

She went to New York and was immediately cast. Today Lathan says he and Simmons want to develop new projects for Harper. “The sky is the limit,” he says. “She can go to the top.”

The Official GAME Website

Bio by Wendell Brock – The Atlanta Journal Constitution
& N. Saha -Maximum Impact Designs

http://www.ourstage.com/epk/georgiame
 

CELEBRITY PICK-MOS DEF Tags: mos def underground hip hop rap music word life production hip hop will never

In the entertainment industry there are plenty of performers who dabble in both music and film. Few, however, move so fluidly between the two as actor-rapper Mos Def, who has been hot on both

Mos Def

scenes at nearly the same time. For example, during the first weekend of May of 2005, his sci-fi spoof The Hitchhiker's Guide to the Galaxy opened at number one at the box office, raking in $21.7 million in ticket sales. Not seven months earlier, his second solo hip-hop album, The New Danger, debuted at number five on the Billboard album chart.

Speaking to New York magazine's Chris Norris, Hitchhiker film director Garth Jennings described the Mos Def enigma this way: "He's got this odd quality about him. A Zen-like presence that can be cool and weird and everything all at once. He'll have hit records one moment, then doing some live jazz thing one evening, then doing furniture design, then appearing in terrific plays—he just struck me as this extraordinary bloke that doesn't seem to be tied by anything."

Mos Def was born Dante Terrell Smith on December 11, 1973, in the Brooklyn borough of New York City. The oldest of 12 kids (some sources say nine), Mos Def was raised by his mother, Sheron, whom he calls Umi, in Brooklyn's rough-and-tumble Roosevelt housing project. His father, Abdul Rahman, whom he calls Abi, lived in neighboring New Jersey. Growing up, Mos Def made the most of his surroundings. Speaking to Richard Cromelin of the Los Angeles Times, Mos Def characterized his neighborhood as "a bright valley with dark prospects." He said he believed his neighbors were good people with bad habits. Early on, Mos Def decided he would work hard and make a better life for himself. At one time, Mos Def thought about becoming a doctor or a minister. Filled with initiative, he filled his spare time reading. "I wanted to be informed. . I had a curious mind, so I wanted to do things that activated that challenge," he told Cromelin. "I wanted to get involved, I didn't want to just sit around and accept my surroundings."

Mos Def made his stage debut in fifth grade in a production of Marlo Thomas's Free to Be You and Me. He loved the experience and when he reached high school, he enrolled at a New York City performing arts magnet school. When Mos Def was a freshman, he landed his first real acting gig, starring in an ABC movie of the week called God Bless the Child in the late 1980s. At the age of 16 he earned the part of Nell Carter's son on the sitcom You Take the Kids, which ran from 1990 to 1991. Fresh out of high school Mos Def earned a role on the short-lived 1994 TV show The Cosby Mysteries. He later made appearances on NYPD Blue in 1997 and Spin City in 1998. Mos Def landed a few other roles as well and during this time used the name Dante Beze. After high school, his mom worked as his manager.

Though Mos Def was earning sporadic film and television roles, he began turning his attention toward music, which had also been a childhood passion. Mos Def began writing rhymes in grade school, at first as a desperate act of survival. Speaking to Entertainment Weekly 's Daniel Fierman, Mos Def acknowledged that he was a small and nerdy child who could barely hold his own on the basketball court. "I was a 99-punch kid," he joked. "If you hit on me 100 times, I'd be like, 'Okay, now I'm gonna break you.' So I had to do somethin' to be able to just survive around my neighbors, you know?" Entertaining would-be bullies with his witty rhymes offered some form of protection. When he was ten years old, Mos Def was enthralled by rap group Run-DMC's song "It's Like That." From that moment on, hip-hop played a significant role in Mos Def's life.

In his early 20s, he changed his name to Mos Def, which is short for his favorite affirmation—"most definitely"—which was his typical response when friends asked him if he wanted to hang out. Around this time Mos Def launched his first group, called Urban Thermal Dynamics, along with his siblings. They signed with a local label but never produced a record. Mos Def, however, began to carve out a name for himself among the Brooklyn hip-hop scene. In 1995, he met De La Soul's lyrical genius Maseo and was invited to perform on De La Soul's album Stakes Is High on the track "Big Brother Beat" in 1996. Mos Def also sang on 1996's "S.O.S.," a song produced by da Bush Babees. This exposure led to a record deal with Rawkus Records. At the time, Mos Def was working at a Brooklyn bookstore called N'kiru Books, alongside another aspiring rapper named Talib Kweli. They spent their time browsing the literature and later became co-owners of the bookstore.

The pair also worked together creating rhymes and in 1998 released a political yet playful album called Mos Def And Talib Kweli Are Black Star ; the space entity of the title is a cosmic phenomenon. It became a classic of the hip-hop underground. Just a year later, Mos Def released a solo album, Black on Both Sides, which had a jazzy, R&B flavor. The releases heightened Mos Def's notoriety and established him as a socially conscious, introspective, and insightful rap artist. In Black on Both Sides, which was certified gold, Mos Def makes references to the insults and injuries black men often feel at the hands of police officers. He also took time to question the amount of money allocated in the U.S. defense budget. The albums established Mos Def as a master of the art of conscious rap.

The reaction surprised Mos Def himself. "I was in L.A. right after the album came out and I'm on stage performing and I'm lookin' at people reciting words of the songs off the album," he told Entertainment Weekly 's Fierman. "And I'm like, 'Am I seein' this right? I know this record has not been out that long.'"

The albums created quite a buzz in the hip-hop world, but Mos Def left them behind to concentrate on acting once again. He earned roles in 2000's Bamboozled, which was directed by Spike Lee, 2001's Monster's Ball, starring Halle Berry, 2002's Brown Sugar, and 2004's The Woodsman. For his role in The Woodsman, Mos Def earned a Black Reel Award for best actor in an independent film.

All of the roles, though small, worked together to broaden and mature his acting skills. They also afforded him the opportunity to brush shoulders with industry heavyweights. In 2004 Mos Def established himself as a multidimensional actor in the HBO flick Something The Lord Made, playing pioneer heart surgeon Dr. Vivien Thomas. Mos Def earned critical acclaim for the role, along with Golden Globe and Emmy nominations.

In 2002 Mos Def became a theater star after landing on Broadway in a production of Topdog/Underdog. Starring in the production allowed him to work with renowned director George C. Wolfe in a play that won the author, Suzan-Lori Parks, a Pulitzer Prize. Mos Def starred opposite Jeffrey Wright in the two-man show with the duo playing con-artist brothers. Even Mos Def realized this was a turning point in his career. "Actors would give their eye-teeth to work with people of this level," Mos Def acknowledged to the New York Times 's Robin Finn. "This is a major, major, major turning point, not just for me, but for the culture [T]his is one of those rare instances where something of a high artistic order is like at ground level, at street level, where Jay-Z and Puffy have come to the theater, where kids are coming to Broadway to watch this play." He was proud to inspire fellow African Americans to attend the play.

The play also showcased some of Mos Def's unseen talents. In one act, he had to do a striptease to a James Brown piece while removing several stolen suits lifted as part of his day's work. The play itself was filled with gritty lyricism, and Mos Def, with his background in smooth rap-delivery, nailed the lines. The playwright herself could not have been more pleased. "What's really cool about watching Mos onstage is that there's such a freedom to him," Parks told Rolling Stone 's Mark Binelli. "I'd guess it comes from a real inner strength—not a conceited-pride but a strong heart-center, like you say in yoga. A warrior spirit." For Mos Def, rapping and acting are almost the same thing. "I enjoy telling a story with all that I have—my mind, my body," he told Ebonny Fowler of Essence. For him, it is about connecting with the crowd, whether he is singing or acting.

During his spare time between performances Mos Def worked on a recording with his band Black Jack Johnson, named after the first African-American boxing champion, Jack Johnson. The group is composed of artists from Living Colour, Bad Brains, and Parliament-Funkadelic. Mos Def wants the group to make an album that is hip-hop rock.

In October of 2004 Mos Def released his long-awaited second solo album, The New Danger. It debuted on the Billboard album chart at number five. One Vibe magazine reviewer called the album "explosive, creative, political, experimental, [and] soulful." The reviewer went on to say, "Lyrically, the New Danger has cemented Mos in the upper eschelon of wordsmiths and album makers in this art that we call rap." Overall, reviews were mixed. The album featured backup from his new band venture, Black Jack Johnson. One single from the album, "Sex, Love & Money," earned a Grammy nomination for best alternative/urban performance.

The year 2005 found Mos Def back on the big screen, this time in a lead role, playing alien journalist Ford Prefect in the sci-fi comedy The Hitchhiker's Guide to the Galaxy, based on the Douglas Adams book of the same name. In a discussion with Jet 's Marti Yarbrough, Mos Def said that he was excited about his clever, imaginative, and playful character. "I get a chance to play a character that transcends certain boundaries whether it be racial or cosmic. He's a character that could have been played by any actor, black or white. I'm just grateful that I got a chance to do it, and I'm really excited and interested to see how people are going to receive it."

In an interview for Entertainment Weekly 's Must List in 2005, Mos Def said a new album was in the works. That year, he began filming the real-time action thriller, 16 Blocks, which co-starred Bruce Willis. Also in 2005, a 20-foot-tall image of Mos Def was unveiled in Brooklyn outside the Restoration Plaza shopping center as part of a cultural heritage exhibit to honor noteworthy natives who have found success. By being part of the display, Mos Def's image helps remind others that they, too, can rise above their circumstances. "I respect Mos Def," Brooklyn resident Naim Martin told the New York Times 's Jennifer Bleyer shortly after Mos Def's image appeared. "He shows that if you use your talent properly, you'll be all right."

Selected discography

Mos Def And Talib Kweli Are Black Star, Rawkus Records, 1998.

Black on Both Sides, Rawkus Records, 1999.

The New Danger, Geffen Records, 2004.

Sources

Periodicals

Entertainment Weekly, April 12, 2002, p. 32; June 24/July 1, 2005, pp. 96-97.

Essence, July 2002, p. 74.

Jet, May 2, 2005, pp. 58-62.

Los Angeles Times, November 28, 2004, p. E45.

New York, May 2, 2005, pp. 85-86.

New York Times, April 19, 2002, p. B2; March 20, 2005, p. 146; May 2, 2005, p. E2.

Rolling Stone, May 23, 2002, p. 51.

Washington Post, October 13, 2004, p. C1.

Online

"Mos Def: Biography," VH1.com, http://www.vh1.com/artists/az/mos_def/bio.jhtml (April 23, 2005).

"Mos Def's New Danger," Vibe, http://www.vibe.com/modules.php?op=modload&name=News&file=ar icle&sid=529 (April 23, 2005).

—Lisa Frick



Read more: Mos Def Biography - life, childhood, name, story, wife, school, mother, son, book - Newsmakers Cumulation http://www.notablebiographies.com/newsmakers2/2005-La-Pr/Mos-Def.html#ixzz1RpUdI7lq

  

 

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