Tagged with "doug"
Classic Hip Hop Legend - Doug E. Fresh
Category: Classic Hip Hop
Tags: Doug e fresh classic hip hop legend word life production new quality entertainment featured

Douglas E. Davis better known by the stage name Doug E. Fresh, is an American rapper, record producer, and beat boxer, also known as the Human Beat Box. The pioneer of 20th-century American beat boxing, Fresh is able to accurately imitate drum machines and various special effects using only his mouth, lips, gums, throat, tongue and a microphone.

Although he began his recording career as a solo artist as one of the last artists on Enjoy Records and one of the first on Vintertainment Records (the same New York-based label owned by Vincent Davis that would later make a name of Hip-Hop artist Joeski Love and bring R&B icon Keith Sweat to ultimate fame), it was when he and a new team of DJs known as the Get Fresh Crew (Barry Bee and Chill Will) along with a newcomer named MC Ricky D (who would later achieve fame as Slick Rick) came to fledgling New Jersey-based Hip-Hop label Danya/Reality Records the following year and recorded "The Show" (which borrowed the melody of the Inspector Gadget theme by Shuki Levy), and "La Di Da Di", a tune that was completely voiced by MC Ricky D and backed by Doug E's beat boxing for the entire duration of the song. It was when both of these songs were released on a single (particularly 12" single) that broke him (and Slick Rick) into stardom. Both "The Show" and "La-Di-Da-Di" are considered two of the all-time greatest early hip hop classics and, as such, make up one of the first and only Hip-Hop singles to have two hit songs on the same record.

"The Show" peaked at #7 in the UK Singles Chart in December 1985.

Unfortunately, Slick Rick would leave the group almost a year after the single was released leaving many wondering what happened to him until 1988 when he became a Def Jam artist and released his debut album, The Great Adventures of Slick Rick. Doug E. Fresh and the Get Fresh Crew soldiered on, now officially signed to Danya/Reality/Fantasy and releasing two albums from that period -- Oh, My God! from 1986 (which includes the hit song "All The Way To Heaven") and The World's Greatest Entertainer from 1988—both of which are now long out of print and extremely rare. The main single from the album The World's Greatest Entertainer was "Keep Risin' To The Top" which was named after Keni Burke's then-obscure 1981 hit "Rising To The Top", which, thanks to being sampled in Doug E. Fresh's song, has become Keni's signature tune. Doug E.'s "Keep Risin' To The Top" also samples the main chorus phrase of Heatwave's 1976 classic "Ain't No Half Steppin'," which Big Daddy Kane also sampled that same year for his song of the same name.

In 1992, after a four-year hiatus, Doug E. Fresh joined with MC Hammer's label, Bust It Records and issued one album, Doin' What I Gotta Do, which (despite some minor acclaim for his single "Bustin' Out (On Funk)" which sampled the Rick James 1979 single "Bustin' Out") was a commercial failure.

In 1993, Doug E. Fresh found a new home at Island Records-affiliated label Gee Street. At the time, he managed only to release one single that contained three songs—"I-ight (Alright)," which was the main song; "Bounce"; and "Freaks". Although "I-ight" (which originated the now-famous club chant "Heyyyyyy, YO!... I-iiiiight?") was slated to become the first major hit for Doug in 5 years, it was almost immediately overshadowed by "Freaks", a Dancehall tune beat-boxed entirely by Doug E. and vocalized mainly by his protégé, a Brooklyn-born Jamaican teenage newcomer named Vicious. The song received major radio and club play, followed by video play when the video was finally produced a few months into 1994. The latter would soon ink a deal with Sony Music's Epic Records for three years, although he would only release one album, Destination Brooklyn.

In 1995, Slick Rick and Fresh reunited for a track on an album titled Play, which found Fresh back on his feet. The album received positive reviews; Bret Love wrote, "A welcome flashback to the days when guns, drugs, sex, and violence were not the genre's primary lyrical focus." Off the Play album also was a track title "Freak It Out" which featured Uncle Luke produced by platinum producer Frankie Cutlass and was also on the Don't Be a Menace to South Central While Drinking Your Juice in the Hood soundtrack, and was certified a Gold Album by RIAA.

On May 23, 2007, Fresh performed variations upon "The Show" with finalist Blake Lewis on the season-six finale of American Idol, the first ever hip-hop performance on the show.

2010 saw Fresh make a small comeback in popular culture as rap group Cali Swag District brought back some of his trademark dance moves with their song "Teach Me How to Dougie." Members of Cali Swag District saw Texas college students doing a local dance created in Dallas called the D-Town Boogie. They recognized it as a modified version of Fresh's dance moves and decided to create a song that would feature the dance, but also give Fresh his due credit.

On June 27, 2010, Fresh came out and performed with Cali Swag District while they were performing their song Teach Me How to Dougie at the BET Awards Pre-show.

Fresh performing in Williamsburg, Brooklyn on August 29, 2010.

On Nov. 8, 2010 Doug E. Fresh appeared at the Soul Train Awards where he taught CNN anchor Wolf Blitzer how to Dougie on stage as part of the show.

On Dec. 10, 2010 Fresh appeared on ESPN First Take to speak about the phenomenon of the Dougie as a sports celebration. As part of the show he, Lomas Brown, and Skip Bayless voted on the best sports related Dougie's. The Dougie performed by Bayless himself on ESPN First Take was voted by Fresh as the best, although he rated Wolf Blitzer's Dougie at the Soul Train Awards the best but it had no sports association.

On July 9, 2012 Fresh served as a celebrity judge on the Apollo Live TV show.

On May 25, 2013 Fresh debuted the classic hip-hip and r&b show called "The Show" on 107.5 WBLS 9-11PM Saturday nights.

Source: Wikipedia

A Moment in History - Frederick Douglass
Category: Black Men Rock!
Tags: black men rock frederick douglass word life production new quality entertainment

Frederick Douglass stood at the podium, trembling with nervousness. Before him sat abolitionists who had travelled to the Massachusetts island of Nantucket. Only 23 years old at the time, Douglass overcame his nervousness and gave a stirring, eloquent speech about his life as a slave. Douglass would continue to give speeches for the rest of his life and would become a leading spokesperson for the abolition of slavery and for racial equality.

The son of a slave woman and an unknown white man, "Frederick Augustus Washington Bailey" was born in February of 1818 on Maryland's eastern shore. He spent his early years with his grandparents and with an aunt, seeing his mother only four or five times before her death when he was seven. (All Douglass knew of his father was that he was white.) During this time he was exposed to the degradations of slavery, witnessing firsthand brutal whippings and spending much time cold and hungry. When he was eight he was sent to Baltimore to live with a ship carpenter named Hugh Auld. There he learned to read and first heard the words abolition and abolitionists. "Going to live at Baltimore," Douglass would later say, "laid the foundation, and opened the gateway, to all my subsequent prosperity."

Douglass spent seven relatively comfortable years in Baltimore before being sent back to the country, where he was hired out to a farm run by a notoriously brutal "slavebreaker" named Edward Covey. And the treatment he received was indeed brutal. Whipped daily and barely fed, Douglass was "broken in body, soul, and spirit."

On January 1, 1836, Douglass made a resolution that he would be free by the end of the year. He planned an escape. But early in April he was jailed after his plan was discovered. Two years later, while living in Baltimore and working at a shipyard, Douglass would finally realize his dream: he fled the city on September 3, 1838. Travelling by train, then steamboat, then train, he arrived in New York City the following day. Several weeks later he had settled in New Bedford, Massachusetts, living with his newlywed bride (whom he met in Baltimore and married in New York) under his new name, Frederick Douglass.

Always striving to educate himself, Douglass continued his reading. He joined various organizations in New Bedford, including a black church. He attended Abolitionists' meetings. He subscribed to William Lloyd Garrison's weekly journal, the Liberator. In 1841, he saw Garrison speak at the Bristol Anti-Slavery Society's annual meeting. Douglass was inspired by the speaker, later stating, "no face and form ever impressed me with such sentiments [the hatred of slavery] as did those of William Lloyd Garrison." Garrison, too, was impressed with Douglass, mentioning him in the Liberator. Several days later Douglass gave his speech at the Massachusetts Anti-Slavery Society's annual convention in Nantucket-- the speech described at the top of this page. Of the speech, one correspondent reported, "Flinty hearts were pierced, and cold ones melted by his eloquence." Before leaving the island, Douglass was asked to become a lecturer for the Society for three years. It was the launch of a career that would continue throughout Douglass' long life.

Despite apprehensions that the information might endanger his freedom, Douglass published his autobiography, Narrative of the Life of Frederick Douglass, an American Slave, Written By Himself. The year was 1845. Three years later, after a speaking tour of England, Ireland, and Scotland, Douglass published the first issue of the North Star, a four-page weekly, out of Rochester, New York.

Ever since he first met Garrison in 1841, the white abolitionist leader had been Douglass' mentor. But the views of Garrison and Douglass ultimately diverged. Garrison represented the radical end of the abolitionist spectrum. He denounced churches, political parties, even voting. He believed in the dissolution (break up) of the Union. He also believed that the U.S. Constitution was a pro-slavery document. After his tour of Europe and the establishment of his paper, Douglass' views began to change; he was becoming more of an independent thinker, more pragmatic. In 1851 Douglass announced at a meeting in Syracuse, New York, that he did not assume the Constitution was a pro-slavery document, and that it could even "be wielded in behalf of emancipation," especially where the federal government had exclusive jurisdiction. Douglass also did not advocate the dissolution of the Union, since it would isolate slaves in the South. This led to a bitter dispute between Garrison and Douglass that, despite the efforts of others such as Harriet Beecher Stowe to reconcile the two, would last into the Civil War.

Frederick Douglass would continue his active involvement to better the lives of African Americans. He conferred with Abraham Lincoln during the Civil War and recruited northern blacks for the Union Army. After the War he fought for the rights of women and African Americans alike.

Source: PBS

In this weeks sports & entertainment we honor, Tags: gabby douglas sports entertainment honored word life production

 

Gabrielle Douglas was born on December 31, 1995, in Virginia Beach, Virginia. Gabby Douglas began formal gymnastics training at 6 years old and won a state championship by the time she was 8. She moved away from her hometown and family in 2010 to pursue training with a world-renowned Olympic trainer, and was selected to compete with the U.S. Olympic women's gymnastics team at the 2012 Summer Olympics. There,

Douglas became the first African American to win gold in the individual all-around event. She also won a team gold medal with teammates Aly Raisman, Kyla Ross, McKayla Maroney and Jordyn Wieber.

Early Life

American gymnast Gabrielle Christina Victoria Douglas, better known as Gabby Douglas or "Flying Squirrel," was born on December 31, 1995, in Virginia Beach, Virginia, to Timothy Douglas and Natalie Hawkins. Her first experience with gymnastics came at the age of 3, when she perfected a straight cartwheel using a technique that she learned from her older sister, Arielle, a former gymnast. By age 4, Douglas had taught herself how to do a one-handed cartwheel.

Thanks to Arielle's persuasion tactics, Douglas's mother allowed her to begin taking formal gymnastics classes at the age of 6. Only two years later, in 2004, she was named a Virginia State Gymanstics Champion.

Gymnastic Achievements

When Douglas turned 14, she left her hometown and family, and moved to West Des Moines, Iowa, to train with renowned coach Liang Chow, known for molding American gymnast Shawn Johnson into a world champion and Olympic gold medalist. Travis and Missy Parton volunteered to be Douglas's host family in West Des Moines: According to Douglas's official website, she plays big sister to the Parton's four daughters, one of whom is also a student of Chow's.

At the 2010 Nastia Liukin SuperGirl Cup -- a televised meet held in Massachusetts -- Douglas made her debut on the national scene, placing fourth all-around. She also placed third on the balance beam, sixth on vault and ninth all-around in the junior division of her first elite meet, the 2010 CoverGirl classic in Chicago, Illinois. Douglas went on to win the silver medal on balance beam and fourth all-around at the 2010 U.S. Junior National Championships, and then took the uneven bars title at the 2010 Pan American Championships. Her performance at that event also placed Douglas at fifth all-around and won her a share of the U.S. team gold medal.

Douglas was a member of the U.S. team that won the gold medal in the team finals at the 2011 World Artistic Gymnastics Championships in Tokyo, Japan. She also won the 2012 Olympic Trials, which took place in San Jose, California, and was selected to the national team that will represent the United States at the 2012 Summer Olympics in London, England.

"Her unique blend of power, flexibility, body alignment and form has led her to be compared with three-time Olympian Dominique Dawes," states an article on American-Gymnast.com. Douglas is the first African American to make the U.S. Olympic women's gymnastics team since Dawes in 2000. She aims to be the second African American woman to win an individual medal, according to a June 2012 Los Angeles Times article.

The American-Gymnast.com article reported that Douglas's high-flying skills and high difficulty score on bars liken her to Dawes and enticed her to U.S. women's national team coordinator Martha Karoyli, who nicknamed her "Flying Squirrel."

By 2012, 16-year-old Douglas had proven herself a champion,

going from underdog to Olympian in a short time. She became the subject of significant media attention in the summer of 2012: She was featured on the cover of Sports Illustrated in early July of 2012, along with the rest of the U.S. Olympic women's gymnastics team, and on one of five covers released by TIME Magazine that same month.

2012 Olympics

At the 2012 Summer Olympic Games, Douglas and other members of the U.S. Olympic women's gymnastics team -- Kyla Ross, McKayla Maroney, Aly Raisman and Jordyn Wieber -- took home a team gold medal. Fans worldwide watched as judges announced the team's medal win -- the first gold medal for the American women's gymnastics team since 1996.

Douglas went on to compete in the individual all-around event, and became the first African American to win gold in the prestigious event. Following her two golds, she competed in the individual uneven bars and individual beam events, but failed to medal in either, placing eight and seventh, respectively.

© 2013 A+E Networks. All rights reserved. http://www.biography.com/people/gabby-douglas-20900057?page=2

 

Legendary Corner/Slick Rick & Doug E. Fresh Tags: slick rick doug E Fresh legendary corner word life production hip hop will never

Although Slick Rick and Doug E. Fresh may be known as solo artists today, the two rappers solidified their status as hip-hop icons when they joined forces in the mid-1980s. To this day, the former has one of rap's most unique lyrical deliveries and inimitable sartorial styles. (He still wears truck jewelry and an eye-patch when he performs.) The latter still is a master beatboxer and is considered the genre's ultimate crowd pleaser.

As members of the Get Fresh Crew along with two DJs Chill Will and Barry B, London-born Rick Walters (then known as MC Ricky D) and Barbados native Douglas Davis (aka Doug E. Fresh) linked up to record two of rap's most enduring party anthems.

The first song, "La Di, Da Di," gained popularity when Doug, the self-proclaimed 'The Original Human Beatbox,' enlisted Ricky to add his story rhymes over his uncanny ability to vocally mimic drum machines beats and other sound effects into a microphone. The partners performed the track - on which Rick tells a detailed comical tale about getting propositioned by an unlikely cougar - at live shows, creating a huge buzz even before they wound up recording it in 1985.

Another single, 'The Show,' which sampled the 'Inspector Gadget' theme song, became an even bigger hit, reaching number four on the R&B charts that year. The two songs immediately made Ricky D a fan favorite. He admitted to 'Insomniac' magazine that the attention he got from those records tested their relationship.

"It might of put a little bit of a strain on the relationship, because I was a guest on his ship," Rick said. "I had received such major attention and then the problem of the money, as far as it's your ship why should I get more than you. I think is was best that I branched off in my own way to avoid any conflict."

As a result, Ricky D embarked on a solo career, changing his stage name to Slick Rick and signing to the Russell Simmons-led Def Jam Records. But it took another three years before the rapper would release his debut album, 'The Great Adventures of Slick Rick.'

The album proved to be worth the wait as it was jam-packed with great narratives and some devilishly salacious rhymes all in his unique quasi-British accent. Tracks like 'Children's Story,' 'Hey Young World,' 'Mona Lisa,' and 'Teenage Love' were proof that Rick wasn't just into gratuitous sextalk, but had emerged as hip-hop's best storyteller with songs that detailed realistic urban struggles, promoted dreaming big and touched on the joys and pains of relationships.

That same year, Doug E. Fresh, released his second album, 'The World's Greatest Entertainer,' but was overshadowed by Slick Rick's debut. (Doug's first LP, 1987's 'Oh, My God!,' featured most of his showpieces, like 'Play This Only at Night' and 'All the Way to Heaven.') The sophomore featured hits such as 'Rising to the Top' and 'Cut That Zero', two songs that helped cement his playboy persona. But after that album, Doug's career began to stall. He had moderate hits in the '90s including call-and-response party-starter, 'I-ight (Alright)' and 'Freaks,' on which he mostly beatboxes while pint-sized dancehall phenom Lil Vicious rhymes in a melodic Jamaican patois.

Rick's career took a hit too when he served jail time for his involvement in a shooting, and subsequently faced deportation charges. Despite his legal troubles, he released two hastily crafted albums - 'The Ruler's Back' (1991) and 'Behind Bars' (1994). But it wasn't until 1999, when his comeback album 'The Art of Storytelling' really saw Rick fulfill his early potential.

These days, both Doug and Rick are regarded as two of hip-hop's best ever entertainers and regularly perform their hits separately and together on spot tour dates. Doug has even inspired a dance craze and song 'Teach Me How to Dougie' by the Los Angeles rap crew, Cali Swag District.

Influenced...Snoop Dogg, MC Hammer, Nas, Jay-Z, Notorious B.I.G., Outkast, Mos Def, Cali Swag District, Ludacris, Raekwon, Chamillionaire, MF DOOM, Eminem, etc.

 

http://blogs.blackvoices.com/2011/06/13/slick-rick-and-doug-e-fresh/ 
 

 

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