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Donald Lawrence is one of the most influential figures in modern gospel music Tags: donald lawrence true worshipper word life production new quality entertainment

Grammy-winning producer, composer and recording artist Donald Lawrence is one of the most influential figures in modern gospel music. After a stint as music director for soul legend Stephanie Mills, Lawrence made a splash in the gospel world by reshaping the regional Tri-City Singers in the 1990s and transforming them into an internationally acclaimed choir. As a producer, Lawrence has collaborated with artists as diverse as Mary J. Blige and jazz pianist Ramsey Lewis, Hezekiah Walker and the legendary Clark Sisters.

Donald accepted and was instrumental in signing the Tri-City Singers to their first major-label recording contract which yielded the 1993 hit album, A Songwriter's Point Of View. Nominated for several NAACP Image Awards, that debut was followed two years later with Tri-City's No. 1 breakthrough album and stage production, the Grammy-nominated Bible Stores. 1997 saw the Tri-City Singers offer their growing fans a warm holiday greeting with the top-10 hit, Hello Christmas, followed by the year 2000's quarter-of-a-million-selling tricity4.com with its electrifying crossover dance-chart, "Testify."

Donald and Tri-City followed it up with the release of Go Get Your Life Back in 2002, which became one of the year's best-selling releases. In addition to kickin' jams familiar to all Tri-City fans, Donald carefully crafted a shining veneer of gentle acoustic and orchestral sounds that movingly portrayed his and choir's deep commitment to the new material, produced and almost all of it-as on every Tri-City project-written or co-written by Donald.

Together some of their other releases include Bible Stories (2003), A Songwriter's Point of View (2005), Finale Act I (2006), and Finale Act II (2006).

After a very successful Finale CD/DVD release and farewell concert tour with the Tri-City Singers, Lawrence retired from the group in 2007 to focus on personal and solo pursuits.

Own his own Donald released I Speak Life (2004) and more recently, The Law of Confession Part 1 (2009) Enhanced.

Inspired by the forthcoming book “The Law of Confession” by Bill Winston ( Lawrence ’s pastor at Chicago ’s Living Word Christian Center ), Lawrence has crafted an epic recording that revolves around a simple Biblical tenet. “A law is simply a principle, based on the predictable consequence of an act,” Lawrence says. “Confession in the Greek language is homo-logeo which means to say what has been said. There is a spiritual law for confession: you just say what God has already said...`Speak The Word.’”

Lawrence and his ten-plus member backing ensemble, The Co. (which backed him on his Grammy-nominated 2004 I Speak Life solo CD debut), create a warmly engaging atmosphere on this stellar project. “I picked lead singers based on the feel and color of the song,” he opines. “Since I've worked with so many singers and I believe some of the best singers on this planet - I'm extremely picky when it comes to lead vocals. They must have a lot of heart!”

On The Law of Confession Part 1, the set opens with the jubilant, up-tempo tune "The Word of the Lord".   It feels like Sunday morning aerobics, ready to bring every listener to his or her feet.

"Back 2 Eden " is an upbeat, funky anthem with retro soul horn lines exudes a bounce that will make the numbest of feet spring into dance. The Co. does a vibrant call and response with the listener as Floyd Wilkinson (one of the Windy City ’s finest tenors) adlibs on the tail end of the track. “The message of this one is clear,” Lawrence offers. “This is pushing people to get back to our original design. God deemed for us a life of family, good health, wealth, spirituality and love. . I’m reminding us of this principle and saying what are you waiting for? Let's get back to our original purposes.”

"Citizens of the Kingdom" draws on the vibes of Donald's  childhood musical heroes Walter Hawkins and Andrae Crouch & the Disciples, Lawrence delivers this churchy, old school traditional-styled number. “This reminds everyone of the benefits of being a child of God and being a part of his kingdom,” Lawrence explains. “God created us to replenish the earth with light after Satan had plagued it with darkness.”

“There’s a King in You’ is my favorite song on the project,” Lawrence confesses of the rousing track. “Pastor Winston gave a sermon on this topic. It was an amazing experience for me. Life has caused us not to dream as we once did and our speaking has changed. Why is the lender speaking like the borrower? Why is the head speaking as if it's the tail? We come from royalty and there is a King inside of us all. Embrace your inner King.”

Source: ChristianMusic.com

The Beastie Boys’ unconventional methodology represented a unique hybrid of rock and hip-hop
Category: Classic Hip Hop
Tags: Beastie boys classic hip hop word life production new quality entertainment

Adam Yauch aka MCA (vocals, bass; August 5, 1964 – May 4, 2012), Michael Diamond aka Mike D (vocals, drums; born November 20, 1966), Adam Horowitz aka ADROCK (vocals, guitar; born October 31, 1966)

The Beastie Boys combined hardcore and hip-hop in a fresh-sounding musical mashup that was danceable, infectious and wickedly funny. By attracting a sizable following of white fans – hardcore-loving teens and party-minded frat kids – with their bratty wit and cunning collages of beats and samples, they broadened the audience for hip-hop, bringing it into the mainstream. Like their fellow New York rappers Run-D.M.C., they ignored the color line dividing rock and rap in the Eighties.

Due to their brash humor and punkish sensibility, the Beastie Boys have been called “the bastard brat offspring of Sesame Street and the Sex Pistols,” “AC/DC meets Run-D.M.C. with a teenage wit” and “the Marx Brothers of rap.” Over time, the Beastie Boys would also embrace a degree of maturity, exploring their creativity with ever-more adventurous mixtures of samples and live playing, and delving into jazzy funk-soul grooves on intermittent instrumental projects. 

The Beastie Boys are inextricably associated with the street-smart attitude and urban swagger of New York City, where they were raised. The roots of the Beastie Boys date back to 1981. Formed as a hardcore quartet, the original lineup comprised Mike D (real name: Michael Diamond), drummer Kate Schellenbach and guitarist John Berry – who’d all belonged to an earlier group called the Young Aborigines – and MCA (Adam Yauch). Their first performance was at Yauch’s 17th birthday party. This lineup recorded an eight-song debut EP, Polly Wog Stew, released in 1982 on the Rat Cage label. It contained their hardcore manifesto “Beastie Boys.” Mike D later revealed that “Beastie” stood for “Boys Entering Anarchistic States Towards Internal Excellence.”

They invited their friend ADROCK (Adam Horowitz), who was in a band called the Young and the Useless, to join when Berry left. The slightly revised foursome cut a 12-inch single, “Cooky Puss”/”Beastie Revolution.” Released in 1983, these comical rants attracted attention and got them gigs. Over the next year, the Beastie Boys evolved from an instrument-thrashing hardcore group to a full-on rap act. Schellenbach moved on to the group Luscious Jackson, and the surviving Beasties – Mike D, MCA and King Ad-Rock (later shortened to ADROCK) – became a three-man posse of MCs with deejayed accompaniment. A friend of theirs, New York University student Rick Rubin (aka “DJ Double R”) was an early turntablist for the Beastie Boys before becoming a world-renowned record producer and label mogul.

In 1984, Rubin and Russell Simmons launched the Def Jam label, and the Beastie Boys’ next 12-inch single, “Rock Hard,” was among its initial releases. Based on their growing buzz, Madonna tapped the Beastie Boys as the opening act on her spring 1985 Virgin Tour. The group’s third 12-inch single, “She’s On It,” was featured in the hip-hop film Krush Groove (1985). The flip side, “Slow and Low,” was given to them by Run-D.M.C., who also tapped the Beastie Boys as a support act (along with LL Cool J and Whodini) on their 1986 Raising Hell Tour. It was rap’s first big-budget tour.

The Beastie Boys brashly announced themselves to the world with the full-length Licensed to Ill (1986). A milestone rap-rock release, it contained a feisty statement of purpose (“The New Style”) and the boisterous Gen X anthem “(You Gotta) Fight for Your Right (to Party!),” a Top 10 hit. Later described by MCA as “a joke that went too far,” it turned into the party-rock anthem of the Eighties. The raucous video they made for the song – intended as nothing more than “a goof,” in MCA’s words - became a staple of MTV, establishing the Beastie Boys as poster boys for rude, obnoxious fun. Other songs on the album – including ”She’s Crafty,” “Paul Revere,” “Girls,” “No Sleep Till Brooklyn” and “Brass Monkey” – reinforced the notion of the Beastie Boys as a threesome obsessed with girls, rhymes and good times. Rubin’s hook-minded production, and galvanizing bursts of guitars and drums gave the album a forceful sound. It was a rap album that rock fans could get into. On tour, the Beastie Boys reveled in bacchanalian excess; their stage props included a dancing cage and a 20-foot hydraulic penis.

Licensed to Ill was a pop-culture phenomenon, becoming the first rap album to reach Number One. It topped Billboard’s album chart for seven weeks and has sold more than 9 million copies in the U.S. alone, making it among the best-selling rap albums ever. While it typecast the Beastie Boys as party animals, the group exploded any notions of one-dimensionality with its ambitious followup, Paul’s Boutique (1989). Having fallen out with Rubin and Def Jam in the wake of Licensed to Ill’s stratospheric success, the Beastie Boys now found themselves on a new label (Capitol) with a different set of producer/collaborators (the Dust Brothers). Although it didn’t sell as well as its predecessor, Paul’s Boutique was a dizzyingly brilliant, sample-heavy collage that has been called “the Pet Sounds and Dark Side of the Moon of hip-hop." 

A kaleidoscopic montage of quick-cut samples and smart-mouthed spiel drawn from seemingly every corner of the pop-culture spectrum, from Johnny Cash to the glam-rock group Sweet, Paul’s Boutique attained the status of a critically revered masterpiece. “It’s safe to say that nobody has ever made a more unexpectedly brilliant sophomore blast than the Beastie Boys,” wrote Rolling Stone’s Rob Sheffield in a retrospective re-review. “[It’s] a celebration of American junk culture that is still blowing minds today.”

The Beastie Boys released three albums in the Nineties – Check Your Head (1992), Ill Communication (1994), and Hello Nasty (1998) – along with a smattering of EPs. With these releases, the Beastie Boys – who are competent instrumentalists - developed a self-contained style of writing and recording that involved collective jamming, individual composing, sampling, revising and assembling. The Beastie Boys –assisted by keyboardist Money Mark (real name: Mark Nipooa), studio hand Mario Caldato, Jr. and turntablists DJ Hurricane (real name: Wendell Fite) and Mix Master Mike (real name: Michael Schwartz) – performed most of the music while integrating an array of samples, beats and witty wordplay into an ever-intriguing sonic smorgasbord.

The Beastie Boys’ unconventional methodology represented a unique hybrid of rock and hip-hop approaches, and the painstaking process involved meant that years passed between releases. In fact, the Beastie Boys released only one vocal album, To the 5 Boroughs (2004), in the first decade of the 21st century. However, the Beastie Boys released a few all-instrumental projects along the way, including 2007’s The Mix-Up, which won a Grammy for Best Pop Instrumental Album. 

Although they came intermittently, the Beastie Boys’ albums were packed with music. Check Your Head, Ill Communication and Hello Nasty each contain 20 or more tracks. Beginning with Check Your Head, the Beastie Boys – having relocated to Los Angeles – worked at their own G-Son studio, which gave them the latitude to jam and experiment at their leisure. They also launched their own imprint, the Capitol-distributed Grand Royal label.

For To the 5 Boroughs, they returned to their New York City roots, recording at their own studio in downtown Manhattan. In 2011, 25 years after the release of Licensed to Ill, the trio released Hot Sauce Committee Part Two, their eighth full-length album. The group that virtually invented rap-rock has maintained its relevance with cool grooves and razor-sharp rhymes with each release.

On May 4, 2012, Adam Yauch aka MCA died of cancer at age 47.

Source: Rock Roll Hall of Fame

- See more at: https://rockhall.com/inductees/beastie-boys/bio/#sthash.btR7sJvV.dpuf

 

Bobby Womack - Harry Hippie
Category: What's N.E.W.
Tags: bobby womack harry hippie video week word life production new quality entertainment

Charles Jenkins-Gospel Legend Tags: charles jenkins true worshipper gospel music word life production new quality entertainment

Faith Leader, Social Engineer, Entrepreneur, Idea Maker, Communicator, and Friend are just some of the words that describe Charles Jenkins who is a leader widely respected and revered for his generous heart, innovative thinking, contemporary leadership, diverse influence, business savvy and holistic approach to social change and large-scale community development. Jenkins lives a lifestyle of giving.

For 15 years Jenkins has been widely known as the Senior Pastor of the historic Fellowship Missionary Baptist Church of Chicago, a rapidly growing multi-location congregation founded by civil rights pioneer Reverend Clay Evans. Under Jenkins’ leadership at Fellowship, each year thousands of individuals in need are fed, clothed and impacted through various outreach efforts.

Jenkins is also Founding President of Fellowship Educational and Economic Development Corporation (FEED), a 501c3 that focuses on education, community development, job creation, public safety, and urban renewal in Chicago inner-city neighborhoods. FEED is currently leading a multi-million dollar expansion effort known as The Legacy Project estimated to education 1500 inner city students, and produce 400 new jobs creating a socioeconomic oasis to enhance Chicago’s Southside. Jenkins is also the founder of Gladiators, a mentoring program that focuses on teaching young African-American men how to fight to win in life. Additionally among many efforts to curb Chicago’s violence, Jenkins convened street gang founders to broker strategies for intervention and peace.

Jenkins’ service to others spans beyond his local context to global efforts. He has traveled internationally serving the poor alongside leaders of Charity Water, who build clean water wells around the world, World Vision who feed and educate millions globally, and Compassion International an organization that transforms the lives of poor children. In 2010, along with award winning artist Donald Lawrence, Charles convened recording artists such as Common, Lalah Hathaway, Marvin Sapp and others along with national leaders for a benefit known as Chicago’s Hope for Haiti which raised over $150,000 for victims of the devastation.

Jenkins is also a multi award-winning songwriter, 5 time Stellar award-winning recording artist, music producer, author and connector. Jenkins is the founding CEO of Inspired People LLC, a music company conglomerate committed to globally inspiring people through music, fashion, resources, and enriching events. In 2012, under his indie label, Jenkins spun the company’s first project “The Best of Both Worlds,” which debuted the #1 Christian Album in America on iTunes and Amazon, while also debuting as the #1 gospel album on Billboard remaining for 3 weeks. Additionally, from this highly acclaimed album came the global mega hit “Awesome” penned by Jenkins which remained #1 on the Billboard Gospel Song charts for over 5 amazing months becoming an international anthem being translated into multiple languages around the world. In 2015 Jenkins produced and released his sophomore album “Any Given Sunday” which was his second consecutive album to debut at #1 on the Billboard gospel album chart spawning his latest Billboard chart topping hit “WAR”.

Jenkins’ leadership further extends to the public sector where he serves on a number of community, corporate, educational and governmental boards. Jenkins has served on The Board of Trustees for The City Colleges of Chicago, The Advisory Board of The Illinois Attorney General, The Advisory of Chicago’s iHeart Media, and The Advisory Board of The Illinois State Treasurer. Jenkins also served for served for 3 years as an Illinois State Commissioner for The Illinois Juvenile Justice Commission and as a member of The Presidential Steering Committee for President Barack Obama. Furthermore as a sought after voice Jenkins has been a featured speaker on widely respected stages including the International Business Dinner during 2011’s National Prayer Breakfast Week at The White House, The Inauguration of Chicago Mayor Rahm Emanuel, and The Inaugural Prayer Service of President Barack Obama in 2013.

Graduating with a Bachelors of Science in Christian Education from Moody Bible Institute and a Masters of the Arts in Urban Ministry from Trinity Evangelical Divinity School, Jenkins has also received countless awards and citations for his service including being inducted into the Martin Luther King, Jr. Board of Preachers and Scholars at Morehouse College, being selected as one of Black Enterprise Magazine’s Urban Business Game Changers under 40, a GRAMMY® Certificate, BMI Song of The Year Award, and many more. Jenkins is also a recipient of Illinois’ Gift of Hope’s highest honor, The Lifesaving Partner Award for leading thousands of African Americans to become organ donors in Illinois saving countless lives. A man of balance, Jenkins is married to Dr. Tara Rawls Jenkins and has 3 beautiful children Princess, Paris, and Charles III. Jenkins loves Jesus, loves his family, loves serving and helping others and enjoys a good cup of coffee. Charles Jenkins lives by his own personal mantra “Don’t Box Me In!”

Source: Official Website

Masta Ace is considered to be a highly skilled and influential MC
Category: Classic Hip Hop
Tags: masta ace classic hip hop word life production new quality entertainment

Duval Clear known better by his stage name Masta Ace, is an American rapper and record producer from Brownsville, Brooklyn. He appeared on the classic 1988 Juice Crew posse cut "The Symphony". He is noted for his distinct voice, rapping proficiency and for influencing several MCs, including Eminem.

Clear graduated from the University of Rhode Island in 1988, after meeting Marley Marl in 1987 during his summer break.[6] Ace made his recording debut as on the Hip Hop posse-cut "The Symphony", along with fellow Juice Crew members Craig G, Kool G Rap and Big Daddy Kane, released on Marley Marl's In Control album. The album also featured two additional Ace tracks, "Keep Your Eyes on the Prize" and "Simon Says". In 1989, he released his first solo single, "Together" b/w "Letter to the Better". His debut album, Take a Look Around, was released through Marl's Cold Chillin' label in 1990, featuring production from Marl and DJ Mister Cee. The album featured two minor hit singles in "Music Man" and "Me & The Biz", the latter being a track with Ace's impersonation of Biz Markie, rather than a duet as previously thought the song would be.

In the early stages of his career, Masta Ace was very energetic (cf. "Jeepbutt Niguh", where, tongue-in-cheek, he taunts police officers for their knee-jerk predisposition to harass black youth on city streets.) He also recorded material with a six-member supporting entourage, Masta Ace Incorporated. In light of his newly claimed status as a veteran, he has gravitated toward an earnest, matter-of-fact plainspokenness in the new millennium. Many of the songs that have lent newfound heft to his reputation are simple, no-nonsense rumination on feelings and facts of urban American life, including "Soda and Soap" and "Beautiful".

During the years between his debut and his second album, Ace began having bitter feelings toward the commercial state of hip hop music, as well as the prominence of Gangsta rap, feelings which ruled the content on his second release, 1993's SlaughtaHouse, with the loose concept of the album seeing Ace taking the fake "gangsta emcees" to his "SlaughtaHouse". The album featured Ace's new crew, Masta Ace Incorporated, which included Eyceurokk, Lord Digga, Paula Perry and R&B vocalist Leschea. The singles "SlaughtaHouse", "Saturday Nite Live", "Style Wars" and "Jeep Ass Niguh" were taken from the album. The latter featured an unlisted remix titled "Born to Roll", which became a crossover single in 1994, peaking at #23 on the Billboard Hot 100 chart. In the same year, Ace became a member of a temporary crew Crooklyn Dodgers, formed for the release of Spike Lee's movie, Crooklyn, along with MC's Special Ed and Buckshot of Black Moon, and recorded the title track of the album soundtrack. The song became Ace's second Hot 100 hit in 1994, peaking at #60 on the chart.

Ace furthered his mainstream appeal in 1995, with his radio-friendly Sittin' on Chrome album. This effort was also released with the Masta Ace Incorporated crew, now also known as The I.N.C. The album was Ace's most commercially successful release, breaking into the Top 20 on Billboard's Top R&B/Hip Hop Albums chart. Sittin' On Chrome included "Born to Roll", as well as two other Hot 100 hit singles, "The I.N.C. Ride" and "Sittin' on Chrome". Following the album's success, Ace had a falling out with I.N.C. members Lord Digga and Paula Perry, leading to the breakup of the crew. After the split, Ace was largely missing from the hip hop scene over the next five years, save for a number of random vinyl singles. During his vinyl days, he bounced from a number of labels, releasing his "Cars" single on Tape Kingz Records, his "Yeah Yeah Yeah" and "NFL" singles on the Union Label, his "NY Confidential" single on Replay Records, his "Express Delivery" single on Three Sixty Records, his "Spread It Out/Hellbound" single on Yosumi Records, his "Conflict" single on Mona Records, his "Ghetto Like" single on Fat Beats, his "So Now U A MC" single on Bad Magic Records, and his "Brooklyn Blocks" single on Buckshot's Duck Down Records.

Ace's "Ghetto Like" single led to a misunderstanding with an underground emcee named Boogieman, who released a somewhat similar single titled "Ghetto Love" which was released on 420recordings not long before. He thought that Ace was "biting" his track and released a diss song toward Ace titled "Just You Wait". Ace responded to Boogieman on the diss track "Acknowledge", which also dissed The High & Mighty over a misunderstanding. The trading of records led to a rap battle between the two at a Lyricist Lounge event. "Acknowledge" was also included on "Disposable Arts."[1] Masta Ace can also be found performing numerous "Dubtitled" voice overs on the television series titled "Kung Faux" seen in 150+ countries worldwide.

 

Disposable Arts became one of the most acclaimed underground hip hop releases of 2001, beloved for its pure hip hop style and clever album concept, which served as a fictional story, chronicling Ace's time spent at a satirical rap school named the "Institute of Disposable Arts". JCOR Records folded soon after the release, leaving it out-of-print, until being re-released in 2005 on Ace's self-established M3 label. The album closer, "No Regrets", led many fans to believe that it would be Ace's final album, because of the line "I don't know if it's the end, but yo, it might be". Ace killed the rumors by returning in 2004 with his fifth album A Long Hot Summer, another highly acclaimed effort. The story concept, similar to that on his last release, served as a prelude to the story told on Disposable Arts, chronicling the "Long Hot Summer" that led to his character's incarceration at the beginning of the Disposable Arts album. Rumors once again spread about a retirement, which were again squashed, when Ace announced the formation of his new rap crew named eMC, including himself, Punchline, Wordsworth and his protégé Strick. Ace remarked in a December 2006 interview that he would no longer record as a solo artist, only with eMC.[8] eMC's first group album, The Show, was scheduled for early 2007 but was released in February 2008 digitally and April 2008 physically.

In 2007, Masta Ace had a track included on the Official Joints mixtape, a compilation of previously unreleased tracks by various NYC rappers.

In 2009, Masta Ace joined forces with Boston rapper Ed O.G. to release Arts & Entertainment which was released on November 3, 2009. Arts & Entertainment got shortened to A&E which resulted in the cable TV channel A&E asking Masta and Edo to remove the symbol from their original album artwork. The albums already printed have been sold at live shows following the release of the record.

In 2011 and in 2012 he coaches high school football for the Irvington Blue Knights in NJ.

In 2012, Masta Ace released "MA Doom: Son of Yvonne", produced entirely by MF Doom. He is also set to release a 10th anniversary release of Disposable Arts, featuring new recordings of songs from the album with a live band. The same site interviewed Masta Ace and he explained that Son of Yvonne helps him put across the things he didn't get to say to his mother before she died.

In January 2014, Masta Ace reunited with Stricklin, Wordsworth and Punchline as eMC, signing a record deal with Penalty Entertainment and Sony Red. They're expected to release an EP in April 2014, followed by a sophomore LP due out in early 2015. Punchline left the group in October 2014.

Late 2014, it was announced that Masta Ace signed to M3 Records/Penalty Entertainment for his 6th solo album "The Falling Season" will drop in 2016.

In 2016, Masta Ace was interviewed by Ryan Maxwell for Hip-Hop Kings.The interview spoke in depth about the Disposable Arts re-issue, and the documentary which celebrated 20 years of the album. At the end of the interview, Masta Ace also confirmed he has begun filming another documentary for his critically acclaimed album "A Long Hot Summer".

He and Croatian producer Koolade made a song "Beautiful" that was on his album A Long Hot Summer.

He is featured on a song off of album Protuotrov (antidote) by Bosnian rapper Frenkie, the song is called Živili (live on) featuring Masta Ace & Phat Phillie and is produced by Edo Maajka.

He appeared on Czech hiphop group Prago Union's album "HDP", where he performed on the track "Beat and I a já und ich" along with German rapper Dendemann.

He also appeared on Polish rap group Familia H.P. album "42" on the track "Born In New York".

In 2003 he appeared on the Swedish rapper Chords' track "Get u awn" with Punchline. The track is on the album "The garden around the mansion".

Masta Ace travelled to Australia in 2008 to record for the Funkoars track "This is How" which came off the album The Hangover. The track sampled parts of the Masta Ace's 2004 track "Good Ol' Love". The Funkoars have made several references to Masta Ace in their lyrics as well as using samples in other works.

He is also featured on the track "Sminke" by the critically acclaimed Norwegian Hip Hop band Karpe Diem. The title of the album is Aldri Solgt En Løgn (Never Sold a Lie). In English the word "Sminke" means makeup, and the song is about artists trading their image for what their record companies wants it to be.

In 2007, he appeared on Admit It, a song by Swiss hip hop group Nefew from their album Off the Cuff.

In 2010, he appeared on "Set You Free" along with Wordsworth, a track by UK hip hop DJ/Producer "Skitz" from his album "The Sticksman".

In 2010, he appeared on "You don't know about it" alongside M-Dot, a track by French hip hop DJ/Producer "DJ JEAN MARON" from his album "RUN MPC". It was the lead single of the album and received heavy radio rotations. (released on 12" and CD)

In 2012, he is featured on the track "Progression" by German DJ/Producer DJ Q-fingaz from his album "Qllection".

In 2014, he collaborated with Canberra-based Australian rapper Nix on the single "SHE".

On December 19, 2014, Ace was featured on a track called "My Style" with German Producer The Mighty Moe who also produced for Termanology, Reks and many more.

In 2015, he appeared on "Thinking of You", a song by Swedish hip hop duo "Professor P & DJ Akilles" from their album "All Year, Every Year".

Masta Ace is considered to be a highly skilled and influential MC – music journalist Peter Shapiro describes him as “one of the great pure New York MCs”, and Allmusic describes him as “truly an underappreciated rap veteran and underground luminary”. Commenting on how Masta Ace is sometimes overlooked despite his skill, Rolling Stone says, “even the most avid fan of raw hip-hop lyricism can sometimes neglect to mention Masta Ace alongside hard-bitten champs such as Rakim, KRS-One, Big Daddy Kane, Slick Rick and Kool G Rap”. Eminem mentions Masta Ace as one of his influences in his book ‘The Way I Am’, saying, “Masta Ace had amazing storytelling skills – his thoughts were so vivid”.

Source: Wikipeda

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