The Golden Era
Cypress Hill - The Golden Era and Beyond
Category: The Golden Era
Tags: cypress hill golden.era beyond word life production new quality entertainment

Cypress Hill were notable for being the first Latino hip-hop superstars, but they became notorious for their endorsement of marijuana, which actually isn’t a trivial thing. Not only did the group campaign for its legalization, but their slow, rolling bass-and-drum loops pioneered a new, stoned funk that became extraordinary influential in ’90s hip-hop — it could be heard in everything from Dr. Dre’s G-funk to the chilly layers of English trip-hop. DJ Muggs crafted the sound, and B Real, with his pinched, nasal voice, was responsible for the rhetoric that made them famous. The pro-pot position became a little ridiculous over time, but there was no denying that the actual music had a strange, eerie power, particularly on the band’s first two albums. Although B Real remained an effective lyricist and Muggs’ musical skills did not diminish, the group’s third album, Temples of Boom, was perceived by many critics as self-parodic, and the group appeared to disintegrate shortly afterward, though Muggs and B Real regrouped toward the end of the ’90s to issue more material.

DVX, the original incarnation of Cypress Hill, formed in 1986 when Cuban-born brothers Sen Dog (born Senen Reyes, November 20, 1965) and Mellow Man Ace hooked up with fellow Los Angeles residents Muggs (born Lawrence Muggerud, January 28, 1968)  and B Real (born Louis Freese, June 2, 1970). The group began pioneering a fusion of Latin and hip-hop slang, developing their own style by the time Mellow Man Ace left the group in 1988. Renaming themselves Cypress Hill after a local street, the group continued to perform around L.A., eventually signing with Ruffhouse/Columbia in 1991.

With its stoned beats, B Real’s exaggerated nasal whine, and cartoonish violence, the group’s eponymous debut became a sensation in early 1992, several months after its initial release. The singles “How I Could Just Kill a Man” and “The Phuncky Feel One” became underground hits, and the group’s public pro-marijuana stance earned them many fans among the alternative rock community. Cypress Hill followed the album with Black Sunday in the summer of 1993, and while it sounded remarkably similar to the debut, it nevertheless became a hit, entering the album charts at number one and spawning the crossover hit “Insane in the Brain.” With Black Sunday, Cypress Hill’s audience became predominantly white, collegiate suburbanites, which caused them to lose some support in the hip-hop community. The group didn’t help matters much in 1995, when they added a new member, drummer Bobo, and toured with the fifth Lollapalooza prior to the release of their third album, Temples of Boom. A darker, gloomier affair than their first two records, Temples of Boom was greeted with mixed reviews upon its fall 1995 release, and while it initially sold well, it failed to generate a genuine hit single. However, it did perform better on the R&B charts than it did on the pop charts.

Instead of capitalizing on their regained hip-hop credibility, Cypress Hill slowly fell apart. Sen Dog left in early 1996 and Muggs spent most of the year working on his solo album. Muggs Presents the Soul Assassins was released to overwhelmingly positive reviews in early 1997, leaving Cypress Hill’s future in much doubt until the release of IV in 1998. Sen Dog had come back for the record. He had left because he felt he did not get enough mike time, but after a few years with a rock band he was more than happy to return. Two years later, the group released the double-disc set Skull & Bones, which featured a disc of hip-hop and a disc of their more rock-inspired material. Appropriately, the album also included rock and rap versions of the single “Superstar,” bringing Cypress Hill’s quest for credibility and crossover hits full circle. The ensuing videos for both versions featured many famous rap and rock musicians talking about their profession, and the song was a smash on MTV because of it. In the winter of 2001, the group came back with Stoned Raiders, another album to heavily incorporate rock music. Three years later, the band issued Till Death Do Us Part, which incorporated several styles of Jamaican music. In 2010 they announced their signing to Priority Records thanks to the label’s creative director, Snoop Dogg. The label released their eighth studio album, Rise Up, that same year.

Source: Official Website

The Golden Era and Beyond - Fat Joe
Category: The Golden Era
Tags: golden era beyond fat joe word life production new quality entertainment

Joseph Antonio Cartagena (born August 19, 1970), better known by his stage name Fat Joe, is an American rapper. He is also the CEO of Terror Squad Entertainment, and member of musical groups D.I.T.C. and Terror Squad.

Fat Joe's debut album was Represent, released in 1993, followed by Jealous One's Envy in 1995. From 1998 to 2006, he was signed to Atlantic Records, releasing four albums under the label, Don Cartagena in 1998, Jealous Ones Still Envy (J.O.S.E.) in 2001, Loyalty in 2002, and All or Nothing in 2005. Around the release of All or Nothing, Fat Joe became involved in a highly publicized feud with another New York City-based rapper 50 Cent, who attacked Fat Joe in his song "Piggy Bank". His most popular song in which he performed was his Remy Ma duet "Lean Back" with Terror Squad. The song was a number-one hit in the summer of 2004.

Starting in 2006, when his album Me, Myself, & I was released, Fat Joe was signed to Imperial Records, which distributes through Terror Squad Entertainment. His follow up album was The Elephant in the Room, which was released in 2008; Jealous Ones Still Envy 2 (J.O.S.E. 2), the sequel to Jealous Ones Still Envy (J.O.S.E.), was released in October 2009. His tenth album The Darkside Vol. 1 was released on July 27, 2010.

Fat Joe was born on August 19, 1970 in the South Bronx area of New York City, where he was raised by parents of Puerto Rican and Cuban descent. He lived in public housing and began stealing at a young age to support his family. He also admits that he was a bully in his childhood. His brother introduced him to rap music. As a teenager, he was highly influenced by fellow Latino rapper Big Pun. Fat Joe explained the rapper's influence on him by saying "Latinos before us who had the opportunity to do it just didn't know how to do it. They came in trying to do this black music, waving flags. [But] we're trying to kick in the doors for other Latinos and represent our people, and it shows."

Under stage name Fat Joe da Gangsta and part of the Diggin' in the Crates (D.I.T.C.) rap group, Cartagena was signed to Relativity Records in the early 1990s, recording material and working with many artists who he would later sign to his own label. In 1993, his debut album, Represent, was released, featuring production from The Beatnuts, Diamond D, Lord Finesse, and others. Its lead single, "Flow Joe" peaked at number one on the Billboard Hot Rap Singles chart; other minor singles from the album included "Watch the Sound" and "This poo is Real".

In 1995, Fat Joe released his second studio album, Jealous One's Envy, which peaked at #71 on The Billboard 200 and at #7 on Top R&B/Hip Hop Albums. The album featured a guest appearance from KRS-One and production from Diamond D. The lead single was Success, which did not chart, but his second single, "Envy" peaked at #8 on the Hot Rap Tracks chart. The success of this album led Fat Joe to be featured on the remix of LL Cool J's single "I Shot Ya" along with Foxy Brown, Keith Murray and Prodigy of Mobb Deep.

Released in 1998, Don Cartagena was Joe's third album and his first for Atlantic Records. It peaked on The Billboard 200 at #7 and #2 on Top R&B/Hip Hop albums, eventually being certified gold by the RIAA.

The album featured two hit singles "Bet Ya Man Can't Triz", and "Don Cartagena". Guest appearances included Nas, Diddy, Big Pun, Raekwon, Jadakiss, and Bone Thugs-N-Harmony. Within the album, Fat Joe debuted his own group Terror Squad that consisted of the late Big Pun, as well as Cuban Link, Triple Seis, Prospect, Armageddon and later Remy Ma. Joe himself acknowledged, in an interview with HipHopGame.com, that he has received criticism for releasing only one solo album by a former Terror Squad member, Remy Ma, as well as barely featuring original members Prospect and Armageddon on "True Story." Terror Squad singer Tony Sunshine has had possible album release dates pushed back over three years, and Joe had stated that artists Prospect and Armageddon have not released solo albums yet as the result of them being "really lazy". Former Terror Squad member Triple Seis also went on record when asked who had written Fat Joe's lyrics, stating that he and Pun were Joe's ghostwriters, and asserts that Joe continues to hire ghostwriters. In 1999, he appeared on Jennifer Lopez's single "Feelin' So Good" from her On the 6 album with late rapper Big Pun.

Fat Joe released his fourth album Jealous Ones Still Envy (J.O.S.E.) in 2001, featuring production from the then-popular Irv Gotti. The album featured a star-studded lineup from the likes of Ashanti, Ja Rule, N.O.R.E., Busta Rhymes, Petey Pablo, M.O.P., Ludacris, R. Kelly, Buju Banton, and artists from his Terror Squad label. The lead single "We Thuggin'" featuring R. Kelly was a big hit in late 2001, but would not reach the level of the Irv Gotti-produced "What's Luv?" which was a massive hit in early 2002 and featured The Inc. superstars Ja Rule and Ashanti. The album was Fat Joe's biggest hit as it was successful from its January release all the way into May, being certified platinum. However, Fat Joe's fifth album Loyalty, released later in 2002 and featuring production from Irv Gotti, was not as successful.

In 2003, Fat Joe was featured in the pop single "I Want You" by Mexican singer Thalía. The same year, he and Tony Sunshine performed the single "Crush Tonight" from Loyalty on the Comedy Central program Chappelle's Show, hosted by comedian Dave Chappelle.

Despite the setback, Fat Joe scored a number-one hit in 2004 with his group Terror Squad, collaborating with Remy Ma on the Scott Storch production "Lean Back" from the album True Story. The song was criticized twice by conservative columnist L. Brent Bozell III for its extensive use of obscenity. However, Jason Birchmeier of Allmusic called the song "a perfect club-ready duet between Joe and Remy Ma that boasts a trademark Scott Storch beat and a memorable singalong hook and dance-along step". He then began recording material for Ivy Queen's debut English-language album Real in support of her goal to compete in the world of English-language hip hop music.

A year later, in 2005, Fat Joe released his sixth album All or Nothing, noted for featuring the popular diss track "My Fofo", aimed at fellow New York rapper 50 Cent, who had dissed Joe for recording with Ja Rule. All or Nothing spawned the singles "So Much More" and "Get It Poppin" featuring Nelly, also with guest appearances from Eminem, Mase, Remy Ma, Mashonda, and R. Kelly. Responding to "My Fofo", 50 Cent attacked Fat Joe in his song "Piggy Bank" from his best-selling 2005 album The Massacre. Fat Joe subsequently attacked 50s street credibility and called him a "coward" on a phone interview with Kay Slay of New York City hip-hop radio station WQHT. The conflict carried on at the 2005 MTV Video Music Awards, while Fat Joe introduced the reggaeton act featuring Daddy Yankee, Joe remarked, "I feel safe with all the police protection—courtesy of G-Unit." Shortly after, when MTV switched to a commercial break, 50 Cent directed an obscenity at Joe, and 50 Cent jumped on stage as Fat Joe was leaving.

Me, Myself & I, released in 2006, is Fat Joe's seventh album. It was his first album released on his new deal with Virgin Records. It featured the hit single "Make It Rain" with southern rapper Lil Wayne, followed by "No Drama (Clap and Revolve)". Fat Joe did a freestyle cipher segment for VH1's "Freestyle 59" competition in October 2006 prior to the VH1 Hip Hop Honors featuring New Jersey emcee Neuse.

In June 2007, the Reverend Michael Pfleger targeted Fat Joe as among several rappers he believed promoted misogyny in his billboard campaign "Stop Listening to Trash", which was launched June 18, 2007 throughout Chicago, Illinois, where Pfleger preaches. Also that month, Fat Joe was featured in the DJ Khaled singles "We Takin' Over" alongside Akon, T.I., Rick Ross, Birdman, and Lil Wayne and the remix to Khaled's "I'm So Hood" with Lil Wayne, Young Jeezy, Rick Ross, Busta Rhymes, Big Boi, Ludacris, and Birdman. Verbal disputes between Fat Joe and 50 Cent continued during this time period: in September 2007, on the BET program Rap City, 50 Cent accused Fat Joe of being cowardly for not willing to confront him, but Fat Joe dismissed this claim as nonsense. Later in January, 50 Cent released another Fat Joe diss, called "Southside Nigga (I'm Leaving)". At the end of January 2008, Fat Joe and his longtime accountant Brian Dittrich both denied rumors spreading on the Internet that Fat Joe owed the IRS in taxes.

On March 20, 2008, shortly after record sales were released for Fat Joe's new album The Elephant in the Room, 50 Cent released a video via his YouTube account, which features the "funeral" of Fat Joe, which shows 50 Cent crying in the fake footage. 50 Cent then talks about Fat Joe's record sales, and states that he ended Fat Joe's career (like he says he did to Ja Rule's) and that his mixtape blew out Fat Joe's album.

Fat Joe's ninth solo studio album, J.O.S.E. 2, was released towards the end of June 2009.The project reprises the title of Joe’s 2002 RIAA-Certified Platinum release, Jealous Ones Still Envy (J.O.S.E.), and marked Joe’s third release since bringing his Terror Squad imprint to the EMI family in 2006. For this album, Joe has reached out to many artists, landing assists from Ron Browz, Fabolous, Lil' Kim, T-Pain, Lil Wayne, and Akon. Producers include Jim Jonsin, The Inkredibles, and frequent collaborator StreetRunner. "One", featuring Akon, was the first single. The album was released on October 6, 2009 and sold 11,000 copies in its first week. It debuted on The Billboard 200 at #73.

In January 2010, Fat Joe announced that he was working on a new album, The Darkside Vol. 1. MTV News reported that Fat Joe intended "all the material...to be much harsher" than his previous album. Production comes from The Alchemist, Cool & Dre, Streetrunner, DJ Premier, Scoop DeVille, Just Blaze, Scram Jones, Raw Uncut and DJ Infamous with guest appearances by Busta Rhymes, Trey Songz, Lil Wayne, R. Kelly, Clipse, Cam'ron, Rico Love, Too $hort, TA and Young Jeezy. The first single from The Darkside Vol. 1 is "(Ha Ha) Slow Down," which features Young Jeezy. The second single off the album is "If It Ain't About Money" and features Trey Songz.

On March 28, 2010 Fat Joe signed a record deal with E1 Music. The Darkside Vol. 1 was released on July 27, 2010 and sold approximately 12,000 copies in the first week and entered the Billboard 200 at #27.

On August 6, 2010 Fat Joe was interviewed on MTV RapFix Live by Sway. Fat Joe announced in the interview that he planned to record 2 more volumes of The Darkside and then retire.

Joe was featured on a remix to DJ Khaled's song "Welcome to My Hood", which also features Ludacris, T-Pain, Busta Rhymes, Twista, Mavado, Birdman, Ace Hood, Game, Jadakiss, Bun B and Waka Flocka Flame. It is included as the final track on Khaled's fifth studio album We the Best Forever.

In January 2010, Fat Joe announced that he was working on a new album, The Darkside Vol. 1. MTV News reported that Fat Joe intended "all the material...to be much harsher" than his previous album. Production comes from The Alchemist, Cool & Dre, Streetrunner, DJ Premier, Scoop DeVille, Just Blaze, Scram Jones, Raw Uncut and DJ Infamous with guest appearances by Busta Rhymes, Trey Songz, Lil Wayne, R. Kelly, Clipse, Cam'ron, Rico Love, Too $hort, TA and Young Jeezy. The first single from The Darkside Vol. 1 is "(Ha Ha) Slow Down," which features Young Jeezy. The second single off the album is "If It Ain't About Money" and features Trey Songz.

On March 28, 2010 Fat Joe signed a record deal with E1 Music.[38][39] The Darkside Vol. 1 was released on July 27, 2010 and sold approximately 12,000 copies in the first week and entered the Billboard 200 at #27.

On August 6, 2010 Fat Joe was interviewed on MTV RapFix Live by Sway. Fat Joe announced in the interview that he planned to record 2 more volumes of The Darkside and then retire.

Joe was featured on a remix to DJ Khaled's song "Welcome to My Hood", which also features Ludacris, T-Pain, Busta Rhymes, Twista, Mavado, Birdman, Ace Hood, Game, Jadakiss, Bun B and Waka Flocka Flame. It is included as the final track on Khaled's fifth studio album We the Best Forever.

In an interview with XXL Magazine on September 21, 2011 Fat Joe stated The Darkside Vol. 2 is going to be his first ever official mixtape and will feature the Mark Henry produced songs "Massacre on Madison" and "Drop a Body", both of which were released earlier in the year. Joe went on to say he is also working on an album which is yet to be named but the first single is called "Another Round" produced by Cool and Dre and Young Lad and features Chris Brown.

On October 19, 2011 Another Round the first single off Joe's yet to be named eleventh studio album was released on iTunes. The second single released from the album is "Yellow Tape" which features Lil Wayne, ASAP Rocky and French Montana. In September 2012, Joe featured in Grammy awards winner Alejandro Sanz's new album, La Música No Se Toca in a music named Down. Joe would then release another single, "Ballin'" on March 18, 2013. The song features Wiz Khalifa and Teyana Taylor.

Via Hiphop Wired, Fat Joe revealed that he and Remy Ma are releasing a joint album. He said "Me and Remy just wrapped up a new album. Just me and Remy. I’m super excited about that. The album is ridiculous. So we’ve been working musically like crazy. ” He reported the first single would be “All The Way Up” and will feature French Montana. They have shot the video and it was released on February 3, 2016.[44] Fat Joe could not explain what the album would be called saying :"I have the title, but we’re trying to see if we can legally use the title."

Source: Wikipedia

Hip Hop Legend - DMX
Category: The Golden Era
Tags: hip hop legend dmx word life production new quality entertainment featured blog

Artist Biography by Steve Huey

Following the deaths of Tupac Shakur and the Notorious B.I.G., DMX took over as the undisputed reigning king of hardcore rap. He was that rare commodity: a commercial powerhouse with artistic and street credibility to spare. His rapid ascent to stardom was actually almost a decade in the making, which gave him a chance to develop the theatrical image that made him one of rap's most distinctive personalities during his heyday. Everything about DMX was unremittingly intense, from his muscular, tattooed physique to his gruff, barking delivery, which made a perfect match for his trademark lyrical obsession with dogs. Plus, there was substance behind the style; much of his work was tied together by a fascination with the split between the sacred and the profane. He could move from spiritual anguish one minute to a narrative about the sins of the streets the next, yet keep it all part of the same complex character, sort of like a hip-hop Johnny Cash. The results were compelling enough to make DMX the first artist ever to have his first four albums enter the charts at number one.

DMX was born Earl Simmons in Baltimore, Maryland, on December 18, 1970. He moved with part of his family to the New York City suburb of Yonkers while still a young child. A troubled and abusive childhood turned him violent, and he spent a great deal of time living in group homes and surviving on the streets via robbery, which led to several run-ins with the law. He found his saving grace in hip-hop, starting out as a DJ and human beatbox, and later moved into rapping for a greater share of the spotlight, taking his name from the DMX digital drum machine (though it's also been reinterpreted to mean "Dark Man X"). He made a name for himself on the freestyle battle scene and was written up in The Source magazine's Unsigned Hype column in 1991. Columbia subsidiary Ruffhouse signed him to a deal the following year and released his debut single, "Born Loser." However, a surplus of talent on the Ruffhouse roster left DMX underpromoted, and the label agreed to release him from his contract. He issued one further single in 1994, "Make a Move," but was convicted of drug possession that same year, the biggest offense of several on his record.

It's Dark and Hell Is Hot

DMX began to rebuild his career with an appearance on one of DJ Clue?'s underground mixtapes. In 1997, he earned a second major-label shot with Def Jam, and made a galvanizing guest appearance on LL Cool J's "4, 3, 2, 1." Further guest spots on Mase's "24 Hours to Live" and fellow Yonkers MCs the LOX's "Money, Power & Respect" created an even stronger buzz, and in early 1998, he released his debut Def Jam single, "Get at Me Dog." The song was a gold-selling smash on the rap and dance charts and paved the way for DMX's full-length debut, It's Dark and Hell Is Hot, to debut at number one on the pop charts. Produced mostly by Swizz Beatz, who rode the album's success to a lucrative career of his own, It's Dark and Hell Is Hot earned DMX numerous comparisons to 2Pac for his booming, aggressive presence on the mike, and went on to sell over four million copies. Not long after the album's release in May 1998, DMX was accused of raping a stripper in the Bronx but was later cleared by DNA evidence. He went on to make his feature film debut co-starring in Hype Williams' ambitious but unsuccessful Belly.

Flesh of My Flesh, Blood of My Blood

Before the end of 1998, DMX completed his second album, and a pending buyout of Def Jam pushed the record into stores that December. Featuring a controversial cover photo of the rapper covered in blood, Flesh of My Flesh, Blood of My Blood entered the charts at number one and eventually went triple platinum. The following year, DMX hit the road with Jay-Z and the Method Man/Redman team on the blockbuster Hard Knock Life tour. During a tour stop in Denver, a warrant for his arrest was issued in connection with a stabbing, of which he was later cleared; another incident occurred in May, when he was accused of assaulting a Yonkers man who'd allegedly harassed his wife (the charges were once again dropped). More serious charges were brought that summer, when DMX's uncle/manager was accidentally shot in the foot at a New Jersey hotel. Police later raided DMX's home and filed animal cruelty, weapons, and drug possession charges against the rapper and his wife; he eventually plea-bargained down to fines, probation, and community service. In the midst of those difficulties, the Ruff Ryders posse -- of which DMX was a core, founding member -- released a showcase compilation, Ryde or Die, Vol. 1. With contributions from DMX, as well as Eve, the LOX, and multiple guests, Ryde or Die, Vol. 1 debuted at number one in the spring of 1999, further cementing DMX's Midas touch.

And Then There Was X

Toward the end of 1999, DMX released his third album, ...And Then There Was X, which became his third straight album to debut at number one. It also produced his biggest hit single since "Get at Me Dog," "Party Up (Up in Here)," which became his first Top Ten hit on the R&B charts. The follow-ups "What You Want" and "What's My Name?" were also quite popular, and their success helped make ...And Then There Was X the rapper's best-selling album to date, moving over five million copies. During its run, DMX returned to the big screen with a major supporting role in the Jet Li action flick Romeo Must Die. In the meantime, he was indicted by a Westchester County, New York, grand jury on weapons and drug charges in June of 2000. He also entangled himself in a lengthy legal battle with police in Cheektowaga, New York (near Buffalo), when he was arrested in March for driving without a license and possession of marijuana. He missed one court date, and when he turned himself in that May, police discovered more marijuana in a pack of cigarettes the rapper had brought with him. He pleaded guilty and was sentenced to 15 days in jail, and his appeal to have the sentence reduced was finally denied in early 2001. After stalling for several weeks, he turned himself in and was charged with contempt of court. He was further charged with assault when, upon learning he would not be let out early for good behavior, he allegedly threw a food tray at a group of prison officers. He later bargained the charges down to reckless assault and paid a fine, and accused guards of roughing him up and causing a minor leg injury.

The Great Depression

Not long after DMX's release from jail, his latest movie, the Steven Seagal action film Exit Wounds, opened at number one in the box office. DMX also contributed the hit single "No Sunshine" to the soundtrack and signed a multi-picture deal with Warner Bros. in the wake of Exit Wounds' success. With his legal problems finally resolved, he returned to the studio and completed his fourth album, the more introspective The Great Depression. It was released in the fall of 2001 and became his fourth straight album to debut at number one. Although it went platinum quickly, it didn't have the same shelf life as his previous releases. In late 2002, DMX published his memoirs as E.A.R.L.: The Autobiography of DMX and also recorded several tracks with Audioslave (i.e., the former Rage Against the Machine). One of their collaborations, "Here I Come," was featured on the soundtrack of DMX's next film, a reunion with Jet Li called Cradle 2 the Grave. The film opened at number one upon its release in March 2003, and its DMX-heavy soundtrack debuted in the Top Ten. Grand Champ was released six months later, followed by 2006's Year of the Dog... Again. Just prior to that album's release, his revealing BET reality program made its debut. A compilation titled Definition of X: The Pick of the Litter was issued in June 2007. The artist was burdened by legal issues in the following years, serving 90 days in jail after pleading guilty to charges of animal cruelty, drug possession, and theft in late 2008, and 2010 saw a 90-day sentence for reckless driving turn into a full year after alcohol consumption triggered a parole violation. DMX returned to recording with 2012's Undisputed, an effort released by the Seven Arts label with production from Swizz Beatz and J.R. Rotem.

Source: AllMusic

 

Sean "Puffy" Combs
Category: The Golden Era
Tags: sean puffy combs golden era word life production new quality entertainment featured blog

Entrepreneur Sean Combs has produced big-name artists like Mariah Carey, created the Sean John clothing line, and recorded his own platinum albums.

Synopsis

Born in Harlem, New York, on November 4, 1969, Sean Combs launched his music production company, Bad Boy Entertainment, in 1993, and worked with artists like Mariah Carey, Mary J. Blige and Biggie Smalls. After Biggie was murdered in 1997, Combs recorded the tribute "I'll be Missing You," which topped the Billboard singles chart for eleven weeks and launched Combs's first album, No Way Out (1997) to platinum status.

Early Life

Singer, songwriter and producer Sean John Combs was born on November 4, 1969, in Harlem, New York. Raised by his mother, a model, after his father was murdered in 1974, Sean Combs grew up in Mt. Vernon, New York, and attended a Catholic boys school in the Bronx. He earned the nickname "Puffy" in high school because of his habit of puffing out his chest to make his body seem bigger. Combs would later take on other monikers, including "Puff Daddy," "P. Diddy" and "Diddy."

Sean "Puffy" Combs majored in business administration at Howard University, producing weekly dance parties and running an airport shuttle service while attending classes. He dropped out to pursue an internship at Uptown Records, which led to a talent director position. Combs rapidly rose to the level of vice president and had success producing several key artists for Uptown, but left the company in the early 1990s.

Entrepreneurial Success

In 1993, Combs started his own production company, Bad Boy Entertainment, working with such upcoming and established rap, hip-hop, and R&B recording artists as Mariah Carey, New Edition, Method Man, Babyface, TLC, Boyz II Men, Lil' Kim, SWV, Aretha Franklin, Mary J. Blige, Faith Evans and Biggie Smalls. In 1996, Combs was named as ASCAP's "Songwriter of the Year." By 1997, Bad Boy Entertainment had sold nearly $100 million in recordings, and made a multimillion-dollar deal with Arista Records for management of the label.

After his friend, Biggie Smalls, was murdered in 1997, Combs recorded the tribute "I'll be Missing You," which topped the Billboard singles chart for eleven weeks and launched Combs's first album, No Way Out (1997), to platinum status. Nielsen SoundScan named No Way Out as the third best-selling LP of 1997, with more than 3.4 million copies sold in the United States.

Combs released his second album, Forever, in 1999. That same year, his recently launched clothing line, Sean John, debuted in America.

Controversy

In December 1999, Combs and his then-girlfriend, actress and singer Jennifer Lopez, were allegedly involved in a shooting incident at a New York City nightclub, where three people were injured. Combs was later charged with four counts of illegal gun possession and one count of bribery; prosecutors claimed that he offered his driver, Wardel Fenderson, $50,000 to say that the loaded gun police had found at the scene of the crime was Fenderson's. His trial began in late January 2001.

On March 16, 2001, Combs was cleared of all charges, as was his bodyguard, Anthony "Wolf" Jones. Combs's protégé, the young rapper Jamal "Shyne" Barrow—who was accused of firing wildly inside the nightclub and injuring the three bystanders—was found guilty of assault, reckless endangerment and criminal weapon possession, but was cleared of the more serious charge of attempted murder.

Source: Biography.com

Tony Terry - R&B Legend
Category: The Golden Era
Tags: tony terry legend music hip hop romantic word life production new quaality entertainment golden

Tony Terry (born March 12, 1964, Pinehurst, North Carolina, United States) is an American soul/new jack swing singer from Washington, D.C., who had several R&B hits in the late 1980s and early 1990s.

Terry is a graduate at the Duke Ellington School of the Arts in Washington. He landed backing vocalist jobs for the freestyle/pop group Sweet Sensation, and hip-hop group The Boogie Boys. In 1987, he signed a recording contract with Epic/CBS Records. Terry's first single, "She's Fly", was released the same year, and peaked at number 10 on the Billboard R&B singles chart. Forever Yours, Terry's debut album for Epic, was released in 1988, and reached the Top 40 of Billboard's R&B albums chart. The follow-up single, "Lovey Dovey", reached number four on the R&B charts, and "Forever Yours" climbed into the R&B Top 20. In 1989, Tony was also featured in a duet with label mate Flame on the song "On The Strength", which reached number 59 on the Billboard R&B singles chart and number 11 on the Billboard Dance/Club Play chart.

Terry's self-titled second album, released in 1990, included the single "With You" (his biggest hit) which reached the Top 20 of the U.S. Billboard Hot 100, as well as the Top 10 on the R&B chart. "Everlasting Love", was a number-six R&B hit. After leaving Epic, Terry moved over to Virgin Records. His debut album for that label was 1994's Heart Of A Man. The single, "When A Man Cries", just managed the R&B Top 40, but the album was a commercial failure. The following year, Terry contributed background vocals on the single "Gotta Have Love", from Yolanda Adams's album More Than a Melody. He also appeared in the video. Terry has performed on the soundtracks to Gladiator starring Cuba Gooding, Jr., Tap starring Gregory Hines and King's Ransom starring Anthony Anderson. In 1991, Terry earned two Soul Train Music Award nominations: Single of the Year and Artist of the Year for "With You".

His video for "With You" was executive produced by Anita Baker and directed by Blair Underwood, who made a cameo appearance.

Terry is currently working on a new independent CD to be released in early 2015.

Terry was featured in Sisterella, co-produced by Michael Jackson; Mama, I Want To Sing' David E. Talbert's His Woman, His Wife, co-starring Stephanie Mills; and more recently the national tour of Tall Dark and Handsome. The Wiz National Tour as the Tin Man Currently Mr. Terry is touring in the hilarious stage production "Cheezecake Boyz and The Diva". Mr Terry has also been seen in Lavarious A. Slaughter's Love Unbreakable which began its national tour in February 2012.

Source: AllMusic

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